Biggest in-season NFL trades of the past decade

Blockbuster trades during the NFL season are still rare, but deals are happening more often. Just look at the 2017 deadline for proof.
www.espn.com – NFL

Target’s Sales Growth Highest in More Than a Decade

Target said same-store sales rose at the fastest rate in more than a decade, buoyed by efforts to improve locations and e-commerce capabilities as well as a booming economy.
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Ubisoft CEO Believes Streaming May Open Door to 5 Billion Players in a Decade

Ubisoft CEO Yves Guillemot says he believes that streaming games could allow for extreme growth in gaming.

In the YouTube video Q&A, Guillemot responds to a question about console cycles, and noted his belief that the advancements of streaming could add billions of players to the industry over the coming years.

“What we are dreaming is that technology will allow us to actually stream our games to all the TVs, mobile phones, and tablets in the future, and that we will be able to give an opportunity to all our brands to reach 2.5 billion in five years and maybe five billion players within ten years,” Guillemot said.

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A Decade of Aje, Australian Designer Duo Infusing Art Into Clothing

SYDNEY — The setting was a subtropical garden in Lavender Bay overlooking the Sydney Harbor Bridge. Marking its 10th birthday, contemporary Australian label Aje had all things Brett Whiteley on its mind.
In staging their latest runway show, design pair Edwina Robinson and Adrian Norris, who founded the brand, dove into the archives of one of Australia’s most recognizable artists. Working with the artist’s former wife, Wendy Whiteley, who oversees his estate, the brand worked to replicate every detail of five artworks onto clothes and showcased their resort 2019 lineup in Whiteley’s private garden on Wednesday.
“I had to go back and forth between Art Gallery of NSW and hold them against the prints, to make sure the colors are the same,” explained Robinson.
“They’re really iconic pieces, that people would have only ever seen in books or very rarely in the top galleries,” Norris added. “The paint strokes are exactly the same the way we printed. It is a direct replica of the piece.”
The brand, perhaps because of Norris’ other career as a painter, has kept the art world close. In a previous collection, the two used the work of another seminal Australian name, the Aboriginal artist Minnie Pwerle, adding her vividly colored brushstroke

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The Most Coachella Outfits From The Past Decade

You’d better believe there are flower crowns.
Style and Beauty – Fashion News, Celebrity Style and Fashion Trends
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McShay: How 2018 QBs grade vs. first-rounders from past decade

Sam Darnold is my top-ranked quarterback in this draft class. Here’s where he grades out among the likes of Andrew Luck, Carson Wentz and 27 others.
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Griffin runs fastest LB 40 in more than decade

Shaquem Griffin, who according to the NFL is attempting to become the first player with one hand to be drafted in the league in the modern era, ran the fastest 40-yard dash by a linebacker at the combine in more than a decade.
www.espn.com – NFL

Alison Loehnis Marks a Decade at Net-a-porter Group

TURNING TEN: Federico Marchetti raised a toast this week to Alison Loehnis, president of Net-a-porter Group, to mark her 10 years at the company. The party was held at Laylow, the newly refurbished private members’ club in west London, with Bella Freud DJ’ing in glittery Gucci flatform sandals.
Olivia Palermo, Mary McCartney, Jacquetta Wheeler, Justin Thornton, Thea Bregazzi and Roksanda Ilincic were among the guests at Monday night’s party. They mingled with the Yoox Net-a-porter team, including Lucy Yeomans, editor in chief of Net-a-porter and Elizabeth von der Goltz, the site’s global buying director.
Loehnis joined Net-a-porter.com in 2007 as vice president of sales and marketing before becoming president of the site in 2011. In 2015, she was promoted to president of the group, overseeing Net-a-porter, Mr Porter, Theoutnet.com and Porter magazine.
While they may have let their hair down at the party, the YNAP team remained tight-lipped about Richemont’s proposed takeover of the group. YNAP’s chief executive officer Marchetti said he couldn’t comment, but said that “Alison has been a great sparring partner. When you do a merger, you want someone beside you who’s supportive. It has been great working with her.”
The big question on everyone’s lips wasn’t about the future of YNAP but rather what will happen

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Robust Job Growth Puts U.S. on Firmest Footing in a Decade

The economy appears to be on its firmest footing in at least a decade, with hiring picking up from earlier this year and the jobless rate holding at a 17-year low in November.
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Camille Grammer Is Engaged: How the Reality Star Endured a High-Profile Divorce and Found Love Nearly a Decade Later

Camille GrammerCamille Grammer once called 2010 the worst year of her life.
The mother of two had been shooting the first season of The Real Housewives of Beverly Hills while simultaneously facing the…

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Nonfiction: Al Franken Has Been Sitting on Jokes for a Decade. Now He’s Ready to Tell Them.

“Al Franken, Giant of the Senate” is the story of how Franken pretended to be a serious person in public even as his inner comic monologue never stopped running.
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Bill Gates Knows What Could Threaten the Human Race in the Next Decade

So we have that to look forward to.

Lifestyle – Esquire

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Worldwide Cancer Rates Up More Than One-Third in Past Decade: Report

Researchers cite population aging and growth
healthfinder.gov Daily News
SPECIAL NEWS BULLETIN!-http://www.acrx.org -As millions of Americans strive to deal with the economic downturn,loss of jobs,foreclosures,high cost of gas,and the rising cost of prescription drug cost. Charles Myrick ,the President of American Consultants Rx, announced the re-release of the American Consultants Rx community service project which consist of millions of free discount prescription cards being donated to thousands of not for profits,hospitals,schools,churches,etc. in an effort to assist the uninsured,under insured,and seniors deal with the high cost of prescription drugs.-American Consultants Rx -Pharmacy Discount Network News-
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Jessica Simpson Reflects on Past Decade

WWD: What were your thoughts when you started your line?
Jessica Simpson: When we first started, I decided to do shoes. I am a woman who feels better with some height. I have a passion for shoes, and everything [I wear] complements my shoes.
WWD: Since the brand is a reflection of Jessica Simpson, tell us about her.
J.S.: I’m always a Southern girl at heart. My friends and family are my everything. They influence all that I do. I feel like I’m a relatable person. I’m completely open and honest with everyone. Whether that’s too much openness or honesty, it makes me nonjudgmental. I’m one of those girls you would hopefully want to hang out with. When you have a lot of judgment in the world of design, it keeps you from being as creative as you can be….I’m a risk-taker.
WWD: What have you learned from the past 10 years running this business?
J.S.: I feel it’s very important to be inclusive. I have a whole team that I love and trust. People buy my clothes because I’m good at listening to what they want and need. I want to make clothes that flatter all silhouettes. The Jessica Simpson Collection is not geared

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Decade of the Plague: The Sociopsychological Ramifications of Sexually Transmitted Diseases

Decade of the Plague: The Sociopsychological Ramifications of Sexually Transmitted Diseases


Social workers, counselors, and health care professionals will be challenged by this thorough presentation of Sexually Transmitted Diseases (STDs). The contributing authors contend that in the immediate future, education, not medicine will be the single most important weapon in stemming the spread of STDs. Thus, the responsibility of educating society and providing service for people who are directly or indirectly affected by STDs lies with helping professions. The devastating social, medical, and psychological aspects of AIDS, herpes, and other STDs are discussed. Contributors focus on the issues involved with counseling individuals with STDs-and their partners, families, and friends-and make suggestions for the education and teaching of professionals and the general public about STDs.

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11 Super-Cool Science Photos From The Past Decade

From the most colorful view of the deep cosmos to the first-ever photo of a flying bird’s baby bump, the past decade has brought many awe-inspiring snapshots of science.

Here, your editors at HuffPost Science have curated some of our favorite science photos from the past 10 years, many of which were featured on our page. Just scroll down to see an iconic science-related photo for each year from 2005 to 2015. If we’re missing a science photo that you love, sound off in the comments below.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Arts – The Huffington Post
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Use of Long-Acting Birth Control Rises Fivefold in a Decade: CDC

IUDs and implants among the safest, most effective forms of contraception, experts say
healthfinder.gov Daily News
SPECIAL NEWS BULLETIN!-http://www.acrx.org -As millions of Americans strive to deal with the economic downturn,loss of jobs,foreclosures,high cost of gas,and the rising cost of prescription drug cost. Charles Myrick ,the President of American Consultants Rx, announced the re-release of the American Consultants Rx community service project which consist of millions of free discount prescription cards being donated to thousands of not for profits,hospitals,schools,churches,etc. in an effort to assist the uninsured,under insured,and seniors deal with the high cost of prescription drugs.-American Consultants Rx -Pharmacy Discount Network News-
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Songs From The Movie: A Conversation with Mary Chapin Carpenter, Chatting with Doug Paisley, Plus an Art Decade Exclusive

2014-01-14-71hM3CSNaL._SL1500_.jpg

An Interview with Mary Chapin Carpenter

Mike Ragogna: Mary Chapin, you’ve got a new album, Songs From The Movie, the follow up to the excellent Ashes And Roses. Can we just dive in?

Mary Chapin Carpenter: Absolutely!

MR: It almost seems like this album is, in some respects a part two–at least emotionally–to Ashes And Roses, even though it revisits your older material.

MCC: Well, I have to say that’s an interesting thought to me. I don’t think I’ve really thought about it in that way. The differences are obvious and when you’re working with pre-existing songs, they’re not new, they weren’t all written as a piece. I’ve always approached recording as an opportunity to create something that is all, for lack of a better word, a concept album. My albums exist as collections of songs that really belong together. Given that, these were all sort of culled from so many different records; that was a different way of experiencing them right off the bat. It was an incredibly emotional experience to do this record. In that regard, I agree with you, if it’s about gauging how that affects you and how you walk into the studio every day pulling yourself up saying, “All right, here we go, hold it together now,” I would agree with you.

MR: Thank you. If we were going to use the name of the album, Songs From The Movie, as a metaphor, it seems like it’s the journey leading up to Ashes And Roses. In this context, it’s almost like commentary using aspects of your life and aspects of your catalog as another reflection of where you’re at right now.

MCC: There’s a part of me that doesn’t want to go too far in trying to make it all very tidily fit some sort of notion, although I truly appreciate your desire and efforts to put it in perspective and understand it that way. I agree that it is a continuum, and it does have a sort of way of looking at the past twenty-some years of my life in song.

MR: How about they’re exclamation points relative to what went on during Ashes And Roses?

MCC: I feel like that was a very specific period of time in my life and the songs came out of very specific experiences. Obviously, a lot of these songs were written years before that. I feel like maybe a better way to think about it is that we all have one life but our life is made up of many different episodes–“different lives,” if we think of ourselves as cats or something. These songs all sort of speak to different times in my life. The title is very impressionistic. To give it some sort of context for you, do you remember the days, years ago, when you’d go see a movie and then there’d be a soundtrack for that movie released and one record label or another would have all of those songs on the soundtrack? You’d buy the soundtrack and it would include other songs that weren’t in the actual film, but as they say, “Songs inspired by the movie.” It was always an interesting notion. From a retail perspective, it was like record labels were making the most of being associated with the film and putting their artists on this soundtrack. But you know, there was something to this idea that there were certain songs that could be written and “inspired by the movie.” The concept for this record has been kicking around in my brain for so long, that concept being that I felt that I always had certain songs that ask a lot of the listener lyrically and that in the right hands could have a cinematic kind of treatment. I said, “How do you put all of these together and have a sort of artistic sense?” In that regard, I started thinking it’s a soundtrack. There’s not a movie that goes with it, but it’s speaking to those sweeping, beautiful things that just take you someplace when you hear them.

MR: And of course with Vince Mendoza on board, that’s an easy mission.

MCC: Right! It was many, many, many years ago, but do you remember when Don Henley was putting together small concerts around the country to benefit Walden woods?

MR: Absolutely, yeah.

MCC: Okay, so he would gather a lot of female singers and pop stars and he’d put a concert on in different cities and they’d all select a song from The Great American Songbook. Larry Klein was the musical director and Vince was the arranger of all of theses songs, and I was able to take part in the one in San Francisco and I got to sing “But Beautiful.” I remember that was the first time I’d ever heard all of these songs in the context of Vince’s arrangements. They were so beautiful. I remember standing on the side of the stage watching all of these people and just listening and being mesmerized by the beauty of these arrangements. Some songs you were familiar with, some were more obscure, and that was the moment I thought if I ever had the chance do this truly–it’s an overused term, but “bucket list” project–that Vince would be the person that I would want to go to. Interestingly enough, it was about two or three years later I was driving in the car listening to my local college radio station when Joni Mitchell’s record came out that Vince did all the arranging for. I heard her sing “Both Sides Now” and I stopped the car and listened and I knew before I could even look it up that Vince had done the arrangement. His work is that distinctive. So distinctive. Besides just being enchanted with Joni’s work, I just thought, “This man is so gifted.”

MR: With Travelogue as well as the songs “Both Sides Now” and “A Case Of You,” Joni’s reinterpretation shows a new perspective coming from her being a more mature artist, her “read” shining a different kind of light on songs. Like Joni, you’re singing this older material from a later point of life.

MCC: They do have different destinations and shades and colors and they evoke different things than the original recordings, otherwise you’re just doing the same things over and over again. So I think that’s always the hope and the goal and that has been fulfilled.

MR: When you were putting the tracklist together, were you seeing the pieces of the puzzle as they were fitting together? And were there any surprises regarding the material?

MCC: It was an interesting process and the way that we did it was that there was one song I always knew was going to be on the record, “Where Time Stands Still.” I don’t know how to explain it, but I always felt that song belonged on this kind of record. That said, Matt [Rollings] my co-producer, Vince and myself, we all sort of went into our separate corners. I think I might have sent out an initial list of maybe forty songs or something like that. Everybody went into their separate corners and came up with their ten or twelve songs they thought belonged on the record and then we cross-referenced it to see which song got the most votes. There were a few that we talked through and Vince would explain for me, “Oh, I don’t think that’s a good candidate because if you listen to it, the chorus doesn’t really go anywhere or give me a lot of places I can take it.” I felt that we learned a lot from Vince in terms of what lent itself to a new arrangement in an existing song. So that was a really interesting process, but it wasn’t excruciating in any way. We all felt good and very happy with what we came up with. There were no fistfights or anything.

MR: [laughs] Were there any revelations that you had listening to this “movie” from top to bottom when it was completed?

MCC: I don’t know if there are any revelations other than that it was deeply emotional. It was emotional making the thing. I’m just one of those people who gets swept away in music. I don’t mean to speak that way about my own stuff, but this was just such a new thing and to hear these songs in such a different way, not only did I feel “known” in a very deep way by this, in the sense that I felt like he had a direct line to my heart in terms of how he wrote these arrangements. There’s a reason why music makes you cry, there’s a reason why it moves you and why it inspires you and takes you places. It affects you on a cellular level, and Vince’s beautiful notes and arrangements just did that to me. So for hearing it in its final setting, it was astonishingly beautiful to me. Just very moving. I don’t know how to explain it, really. Maybe it’s because I have yet to have enough distance from it or something, I can’t really listen to it without being utterly invested in it.

MR: And I imagine recording at Air made it a wonderful experience for you.

MCC: A tremendous experience. I was fortunate enough to be there once before in 2000 recording Time* Sex* Love*. Being able to return there was tremendously exciting. It’s such an incredible place, to be there with the orchestra was hard to describe, it was so powerful.

MR: Mary Chapin, the subtlety and matter-of-fact delivery of your performances brings out so much more than any kind of overkill that a lot of artists have to do to bring lyrics home sometimes. I feel you should be even more appreciated for your strength as a lyricist than you currently are. I think if listeners took a second look at what you’re doing, especially these days, many would say, “This is one of our best American songwriters.” I certainly think so.

MCC: Well, thank you so much, that’s just utterly lovely for you to say. The songs presented in this way, if it does give someone a second chance to listen and maybe connect to something that they may not have connected to before, the way songs do for us, to me that’s just a lovely idea. If it doesn’t, we all know that as artists we do what we do and we know that we can’t claim everyone’s ear. But if it does find its way to someone who either previously didn’t connect to it or had never encountered it before in some way, that’s thrilling and exciting and wonderful when that happens. So that’s one thing to consider once you release something like that, but the other thing, again, is that I can’t say enough about how fortunate I feel that somehow, some way, something in my career brought me to a place where I got to do this. I think that’s something else to consider. Those of us who started in our artistic careers twenty-five, almost thirty years ago, we all know how the music business has changed. I just feel like, given all the changes and how hard it is to do what we do nowadays, much less starting out, I’m just grateful I got to a place where I can do this. So that’s a whole other place that I think about this project. It’s somewhat astonishing to me that I had the support for this, because I know how hard that is to come by.

MR: Not that I would know anything about such things, but my feeling is the new bar you’ve established on your latest projects might be the result of all the personal challenges, etc., that led up to Ashes And Roses.

MCC: At the risk of sounding like I’m trying to make it all tidy and everything, I do think there’s something to be said for feeling like the right things happen at the right time. I also think you would agree with me that this is a look back and certainly a look at the present as well. I couldn’t have made this record twenty years ago. It’s about having lived a life. My life is not over by any stretch, but there’s this wisdom and experience and the things that you’ve gained that are, I think, very much a part of this record.

MR: Beautiful. Mary Chapin, where do you go from here?

MCC: Literally? Next week? I go to Scotland and launch the record, which is really exciting. I’m doing my first concert at the beautiful Celtic Connections center in Glasgow in a few weeks. That’ll be my first time singing this with the orchestra. I’m so excited. That’s the short answer. The longer answer is that I’ve been writing for a new record and I hope to start on that as a project sometime this year in terms of getting in the studio. So what’s next after this is another record.

MR: Will you take the adventures you had at Air with you creatively into the next record?

MCC: Without having a crystal ball, I’ll say I think every time you go into the studio you learn things if you’re paying close enough attention. I think what happens in sort of some result of all the things you’ve absorbed and they make their way into what you do. I always presume that what’s been going on previously finds its way into my way of thinking or executing music or writing. That’s always the way it’s been, honestly. I’ve been writing songs the exact same way I’ve done all of my life, that’s never changed. The settings change and the studios change and the people you work with change, but it all sort of starts at the place that it has always started, which is with a guitar and a voice and a yellow legal pad and a pencil with an eraser. The only thing that’s different over all of these years is that the device that I record my ideas on just keeps getting smaller and smaller. I use my phone now.

MR: What is your advice for new artists?

MCC: Oy-oy-oy!

MR: You know, to someone just starting out.

MCC: I think back to that point, the landscape of business realities and the technological advances that have occurred in the past years have changed everything. The fact that you can be fifteen years old and write songs after school and you can put them up on SoundCloud… You can make your own way. I think the possibilities that lie in being able to do it yourself, it’s a totally DIY world, that just opens it up to everybody and that’s the most exciting thing in the world. It used to be you had to get in the door of the label. Nowadays, you can just do it yourself and people can find you and you can do it yourself. So what I would say to someone with aspirations in that regard is just that the world is your oyster, be as adventurous as you can possibly be and know that it’s in your hands.

MR: And maybe be prepared to use that eraser once in a while?

MCC: Oh my God, yes.

Transcribed By Galen Hawthorne

ART DECADE’S “NUMBERLESS DREAMS”

2014-01-14-6.NumberlessDreams.jpg
photo by Hadley Brooks

According to Art Decade…

“I am always looking for ways to bring motion to otherwise still artwork. With ‘Numberless Dreams,’ we took the idea of spray painted stencils into the realm of fully moving animation. Cutting out thousands of laser cut stencils and then spray painting each frame by hand, thus an otherwise motionless art form finds fluid movement.

“The music video, like all of our work, reflects the nature of the bands do it yourself approach to the creative process. Filmed mainly in our living room, and edited at our bassists house, everything has been done by us. The song and album are no exception, as we recorded, engineered, produced, and wrote everything ourselves. We wanted to make a statement defining us through our work.”

2014-01-14-51gOrXWkc7L._SY300_.jpg

A Conversation with Doug Paisley

Mike Ragogna: Hi Doug! Before we get into the new album Strong Feelings, let’s get caught up on all things Doug Paisley. What have you been up to since your last project?

Doug Paisley: Since my last album I’ve been traveling and performing more than ever before. So much so that I felt the need to stay at home for a while which leads to songwriting which leads to recording which leads to more travelling.

MR: Did any of this inspire your material on Strong Feelings

DP: I’m really into the challenges of songwriting. Spending so much time playing the songs from the last album made me want to go farther afield with my music and my songwriting.

MR: “Radio Girl,” to me, seems like a tribute to relationships and the good old days. Even its lead vocal seems to evoke another time. Is that also the secret behind the new album, it being about events and people that evoked strong feelings within you?

DP: I think music gets into some people more than others and it permeates their lives and their personal history with a concurrent musical history. When I think about “Radio Girl,” I imagine that profound, personal soundtrack.

MR: Are there any songs on this project which evoke particularly strong feelings and what are stories behind them?

DP: I’ve gained so much personal meaning from songs by my favourite musicians without knowing about those people or their own reasons for writing. I try and allow for the same possibility with songs that I put out.

MR: How did you approach this album differently from your 2010 project, Constant Companion?

DP: I worked with an excellent guitar player, Emmett Kelly, something I hadn’t considered before because as a guitarist it had always seemed redundant to have another one there but it really opened up the sound for me. I also tried to engender some musical chaos in the recording process with tricky projects like recording Garth Hudson on Glenn Gould’s piano in a remote northern city in the middle of winter in the middle of the night.

MR: The semi-duet “What’s Up Is Down” combines horns with a noodling piano, guitars, bass and light percussion. It’s not that it’s a-typical of the album, but it seems to be the most personal track on the project. How did you come up with this particular approach?

DP: Garth Hudson, Mary Margaret O’Hara and Colin Stetson brought a lot of the character to the song because they have such interesting musical personalities. It was one of those songs where I don’t really remember writing it so it’s remained a bit mysterious for me.

MR: You’re a Canadian artist who has a US following. How do view the differences and similarities between our two countries’ artists? 

DP: Margaret Atwood described the line between Canada and the US as a one way mirror. Culturally speaking Canadians are about as aware of the US as Americans are unaware of Canada. I think that vantage point has benefitted some major American cultural figures who come from Canada. In the wilds of the current musical landscape fledgeling musicians like me are more of a nation unto ourselves than nationally defined. 

MR: What else do you have strong feelings about, maybe on the non-musical side?

DP: As a father I feel strongly that the human stock isn’t degraded, as some people say, but it is suppressed and we will feel a whole lot better the more we participate in our enormous responsibility to young people.  

MR: What’s your advice for new artists?

DP: Don’t be discouraged when the scale of your success seems out of whack with that of others. Perseverance is what will ultimately distinguish you. 

MR: Other than Strong Feelings dropping on January 21st, what does the future bring?

DP: Sadly, I think the future will bring more bad lighting.
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1920s Style: How to Get the Look of the Decade

1920s Style: How to Get the Look of the Decade


Gone was the corset; in was the right to bare arms and legs. The Roaring Twenties was a time of emancipation for women–and their fabulous clothes reflected that newfound freedom. “1920s Style” captures this amazing turning point in fashion. An invaluable reference and a visual cornucopia of times past, it explores major designers and couture houses, technical achievements in textiles, and cultural influences. Illustrated with historical fashion photographs, colorful drawings and advertisements, and specially shot vintage clothing, this irresistible guide spills all the secrets you need to know to recreate the trends of the decade.

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A Decade After Massachusetts’ Landmark Gay Marriage Ruling, The Gains Are Clear

BOSTON (AP) — In the decade since the highest court in Massachusetts issued its landmark ruling legalizing same-sex marriage, 14 other states and the District of Columbia have legalized it, with Illinois poised to become the 16th in a few days.

Such gains were considered almost impossible before Massachusetts opened the door on Nov. 18, 2003, with a Supreme Judicial Court ruling that declared a ban on gay marriages unconstitutional. Opponents made doomsday predictions about how gay marriage would damage traditional marriage and lead to problems with children raised in same-sex households. But as the years have passed, public opinion has shifted. Supporters have won in the courts, in state legislatures and on state ballots amid intense lobbying, activism and advertising campaigns filled with gay couples’ personal stories.

“With more same-sex marriages, you saw more people changing their minds,” said Mary Bonauto, civil rights project director at Boston-based Gay & Lesbian Advocates & Defenders and the lead attorney on the lawsuit that resulted in the gay marriage ruling in Massachusetts.

“Seeing gay people with their extended families, seeing the commitment, that’s what has turned this around.”

Opponents have shifted tactics as more and more states have legalized gay marriage. Initially, opposition focused on the predicted erosion of traditional marriage, but in recent years have pushed concerns about school curriculums and religious objections.

In New Mexico, the state Supreme Court ruled in August that an Albuquerque business owned by gay marriage opponents violated a state anti-discrimination law when it refused to photograph a same-sex couple’s commitment ceremony. A law firm representing the business has asked the U.S. Supreme Court to hear its appeal.

Opponents say they plan to do a better job of telling similar stories of people who believe their religious freedoms have been infringed upon by the legalization of same-sex marriage.

“I think we still have to do litigation, we still have to do legislation, but we also have to do education as well,” said Mathew Staver, founder and chairman of the Christian legal group Liberty Counsel.

Since same-sex marriages began in Massachusetts in 2004, approximately 100,000 gay couples have gotten married across the U.S., said Lee Badgett, a professor of economics at the University of Massachusetts-Amherst. At least 16,000 of the marriages have taken place in Massachusetts.

Evan Wolfson, founder and president of Freedom to Marry, said 38 percent of Americans will live in states where same-sex marriage is legal once Illinois’s governor signs the bill on Wednesday. The group has a goal of bringing that up to more than 50 percent by the end of 2016.

“What we have to do — like other civil rights movements and social justice causes — is win a critical mass of states and a critical mass of public support, which together creates the climate for the Supreme Court to bring the country to national resolution,” Wolfson said.

Wolfson said Oregon is expected to be a key battleground in 2014 as supporters hope to repeal a constitutional ban on gay marriage passed in 2004 during a rush of similar amendments in other states after the Massachusetts’ ruling.

But Staver said he believes the momentum of the gay marriage movement will slow.

“Same-sex marriage represents a classic conflict with religious freedom,” he said. “I think there will come a tipping point where the pendulum will swing the other way as people begin to see the impact of same-sex marriage.”
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