Grey’s Anatomy Season 15 Trailer Just Teased Meredith’s New Love Interest and We’re Gasping

Grey's AnatomyOh. My. Grey’s! Your first look at Grey’s Anatomy season 15 is here and, yes, it’s only 30 seconds long, but boy is there a lot to unpack.
Where do we begin? How about the new…

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Real Housewives of New York City’s Carole Radziwill Defends Her Alleged Lack of Interest in Puerto Rico and Her Egg Order

Real Housewives of New York, CaroleCarole Radziwill is setting the record straight.
After last night’s episode of The Real Housewives of New York City, fans have been left wondering two things about ol’ Cool…

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BBC: Sir Cliff coverage was in ‘public interest’

A senior BBC journalist has told a High Court judge that the corporation had a public interest responsibility to cover a police search of Sir Cliff Richard’s home.
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Robert Wagner ‘person of interest’ in wife’s death

Police investigating the unexplained drowning of Hollywood star Natalie Wood in 1981 say her actor husband, Robert Wagner, is now a person of interest.
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Hugh Hefner’s Playboy Reinforced The Idea That Great Literature Is A Male Interest

The cultured lens of Playboy created a new space for literary life ― one with no particular interest in welcoming female readers.
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Univision Fields Takeover Interest Amid IPO Delays

Univision has been fielding interest from potential bidders, including cable mogul John Malone, after the media company’s initial public offering was delayed.
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Sheeran to play Lisa’s love interest in Simpsons

Singer Ed Sheeran has revealed his next role on the small screen – as a character in The Simpsons.
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Gloria Steinem on Beauty: ‘After You’re 70, You Have No Interest in Being Sexy’

Feminist icon, author and activist Gloria Steinem has always had a complicated relationship with her looks. Among early feminists she was known as the beautiful one, a designation that rankled.

“Before feminism I was pretty — only after feminism was I ‘beautiful,’” she says. “The low expectations of what feminists looked like had elevated me! People thought if you could get a man, you wouldn’t be a feminist.”

Less was made of her beauty as she aged, and she’s found that freeing: “I want people to listen to me.” Yet she looks terrific at 83, and like most of us, she takes care with her appearance. “I certainly think about my looks,” she says. “I try to look like myself, does that make sense? I feel free and happy, and I like to look that way.”

Steinem talked to PEOPLE exclusively for the 2017 World’s Most Beautiful issue about what beauty means to her, the tyranny of plastic surgery — and why a woman’s never too old to wear a motorcycle belt with studs.

Botox? Fillers? Cosmetic surgery?Botox: no. Fillers: No. Cosmetic surgery: never. I definitely color my hair, but I’ve been doing that since my 20s. God alone knows what’s under there. I get it done every couple of months — if you get those little crayons with the terrible name, Tween Times, you don’t have to go so often.

Do you work hard to stay so slim?I exercise sometimes. I’ve always been conscious of weight because my father and my sister both weighed over 300 lbs. for most of their lives. So it’s like being in a family of alcoholics — you don’t drink. I’m not that careful, I love to eat. I just binge in moderation.

Do you feel bad about your neck, like Nora Ephron did?Yeah, but not that bad. Nora Ephron started to feel bad about her breasts when she was very young — she just felt bad about herself, period. I was so sad that she wrote those articles about breasts and neck — I don’t know what was going on in her head.

Julia Roberts is the 2017 World’s Most Beautiful Woman! Learn her secrets to staying young — and subscribe now for this special edition featuring over 50 pages of beauties — only in PEOPLE!

Why would you never consider cosmetic surgery?Recently I was in Florida speaking at a book club that benefits services for older people. And the degree to which plastic surgery has taken over is frightening. People would look so much better without it! To look out at these hundreds and hundreds of faces with hair extensions and false lips and false breasts — it made me want to cry. The culture is perfectly clear that it’s gendered — men don’t do it to the same degree.

But you’re genetically blessed…Well I don’t know. My neck is sagging, everything is sagging. My skin is terrible. But so what? I would be afraid no one would listen to me. Talking to someone with bad plastic surgery is like talking to a man with a bad toupee. You cannot think about anything else.

RELATED VIDEO: World’s Most Beautiful: PEOPLE Editor Catherine Kast on Julia Roberts’ Diet, Family & More!

Watch the full episode of World’s Most Beautiful: Rescue Me now on the new People/Entertainment Weekly Network (PEN). Go to  PEOPLE.com/PEN or download the PEN app on your favorite device.

Is there any particular look you aim for as you’ve gotten older?I’m just wearing what I’ve always worn. I saw a motorcycle belt with studs and sequins in the window of a men’s Harley Davidson’s store and went in and bought it. The guy was kind of appalled. I am conscious of trying to look cool, but I do occasionally think to myself — maybe an 83-year-old woman should not be wearing a motorcycle belt! Then I do it anyway.

 

Do you think about looking sexy?Listen, after you’re 70 you have no interest in being sexy. You have no interest in sex, so the idea of being sexy is like, hello, I have all those brain cells now for something else! The culture is so sexualized, it’s hard to explain that you don’t miss it. It isn’t better, it isn’t worse. It’s just different.


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Fashion Deals Update:

Drone-Enabled Deliveries, Mixed Reality Experiences Gaining Interest

WHAT’S NEXT: After Friday morning’s “Mercenary Matters: Technology and the Changing World of Retail” panel discussion, two participants discussed what’s next.
Their discussion was part of the Fashion Law nstitute’s seventh annual symposium “Fashion Revolutions” in New York. Plural NYC founder Daniel Plenge said, “Drones and brands need to have a big Amazon strategy because they’re going to drop the hammer this year. They already have been, and the drone thing might not be as far away as we think.”
With his marketing and digital media clients constantly asking how they might monetize Instagram, Plenge is intrigued by Liketoknow.it even though he personally hasn’t yet used it to buy anything. “One of my challenges now is to bridge the gap between tools like that online and attributing them to sales off-line. So maybe I screenshot the image, I saw it on Taxi TV, on a bus shelter or any of the six touchpoints of digital…when did I actually decide, ‘You know what? It’s payday. I’m going to go get that,’” Plenge said.
Another panelist, Po Yi, an attorney with Venable LLP, said, “I’m not a huge fan of VR. I’m more of a fan of mixed reality or augmented reality so that you

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Imaginary Mary Stars Have No Interest in Having Their Own Imaginary Friends, Thank You Very Much

Jenna Elfman, Imaginary MaryTheir new ABC comedy Imaginary Mary may be all about the sudden resurgence of one woman’s childhood imaginary friend, but stars Jenna Elfman and Stephen Schneider are more than happy leaving…

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Kraft’s Interest in Unilever Comes Right Out of 3G’s Playbook

Behind Kraft’s short-lived bid for rival packaged-food giant Unilever is a basic conundrum: The company is running out of ways to improve profitability through its own cost cuts.
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Public Broadcasting and the Public Interest

Public Broadcasting and the Public Interest


As federal funding for public broadcasting wanes and support from corporations and an elite group of viewers and listeners rises, public broadcasting’s role as vox populi has come under threat. With contributions from key scholars from a wide variety of disciplines, this volume examines the crisis facing public broadcasting today by analyzing the institution’s development, its presentday operations, and its prospects for the future. Covering everything from globalization and the rise of the Internet, to key issues such as race and class, to specific subjects such as advertising, public access, and grassroots radio, Public Broadcasting and the Public Interest provides a fresh and original look at a vital component of our mass media.

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Pokemon Go update seeks to revive interest

Pokemon Go releases its first major update, but faces a battle to reinvigorate the gaming craze.
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John Travolta Has Absolutely No Interest In Watching Leah Remini’s Scientology Series

John Travolta is definitely “not interested” in watching Leah Remini’s Scientology docuseries. 

The actor, who just earned a Golden Globe nomination for his role as Robert Shapiro on “The People v. O.J. Simpson: American Crime Story,” recently told E! News why he won’t be tuning in to A&E’s “Leah Remini: Scientology and the Aftermath” anytime soon

The actor said Scientology has “been nothing but helpful to me for 40 years, through all my losses of my mother, my girlfriend, my son. They’ve never left my side, so why would I want buy into something that’s not what I feel?”

Still, Travolta had nothing bad to say about Remini, but did admit he was “kind of” surprised she decided to make the series. 

“As long as I get to still do it and my family gets to do it, I’m happy,” he said. 

For her part, Remini has called Travolta “one of the nicest, sweetest people you’re ever going to meet” while speaking with E! last month. At the time, the actress told the outlet she wasn’t expecting Travolta or fellow high-profile Scientology member Tom Cruise to reach out about the show. 

Since leaving the controversial organization in 2013, Remini has also written a confessional memoir and participated in a Reddit AMA in which she held nothing back while talking about her experiences within the Church of Scientology. 

In response to Remini’s comments against Scientology, especially in regards to the docuseries, the church reportedly set up a website titled Leah Remini: Aftermath — After Money to discredit the actress’ claims about abuse and harassment within the group. 

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Apple Signals Interest in Self-Driving Software

Apple confirmed for the first time its interest in autonomous-vehicle technology, but it remains unlikely the company will design or build a complete car.
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A Treatise on Profits, Discounts and Interest (Classic Reprint)

A Treatise on Profits, Discounts and Interest (Classic Reprint)


A Treatise on Profits, Discounts and Interest (Classic Reprint) : Paperback: Forgotten Books: 9781332911813: 25 Jun 2016

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Sarah Jessica Parker Actress IN THE BEST INTEREST OF CHILDREN

Sarah Jessica Parker Actress IN THE BEST INTEREST OF CHILDREN


Original Archive Photo from the Commercial Appeal archive, originally filed under Sarah Jessica Parker. Approximate size is inches. Photographer was not captured. Comes with a serialized Certificate of Authenticity.
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‘Person of Interest’ Bosses Say Final Season Is For the Fans

When “Person of Interest” — essentially CBS’ “Little Engine That Could” for the past four seasons — begins its fifth and final season tonight expect more of what has made the show increasingly bright over the years. “The real fun of this season was that even though we had a reduced episode order it became… Read more »

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Health Policy and the Public Interest

Health Policy and the Public Interest


This book is written with an acute awareness of the need for new insight to ensure (1) universal protection in basic healthcare; (2) providing choice; (3) efficient production and consumption of healthcare services; (4) financial sustainability of the healthcare system. Defining the public interest as the welfare of the “representative individual” with no vested interest who imagines himself to have equal chance of being anyone in society, this book explores alternative ways of finance and delivery, the optimal interface between the public healthcare sector and the private healthcare sector, and that between public insurance and private insurance. The book includes a theoretical but non-technical section that distinguishes between the stock of health and functional health, proposes a utility maximizing/behavioural framework to explain behaviour and the role of health policy and investigates the nature of risk and alternative insurance mechanisms. The book illustrates with a number of country studies, covering a large range of healthcare systems from the American and the European systems to various Asian systems as well as those of Australia and New Zealand. The survey of country experiences reinforces the theoretical conclusions about the role of the public healthcare sector and social insurance and that of the private market. The book highlights the importance of and the workability of “pricing right” and “capping right”: pricing standard or basic healthcare services at the right price can contain both demand-side and supply-side moral hazard and lead to more efficient production and consumption of healthcare services; capping annual eligible healthcare expenses will provide effective protection against financial risks. The proposal of lifetime healthcare supplement offers greater choice. Private caregivers and insurers supplement the public healthcare system by offering more choices and premium services, as well as additional protection.

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In the Interest of Listening

When I was in college my stepfather often told me that it is more important to be interested than interesting. I didn’t really understand what he meant, and I didn’t give the concept much thought. However, over the last year the importance of the distinction between those words has become apparent — as important, as Mark Twain once said, as the difference between lightning and a lightning bug. As I think about the difference between being interested and being interesting, it occurs to me that those who are genuinely interested hold a considerable advantage over those who labor mightily to be interesting.

A recent meeting with one of my good friends from college, Hannah, was a key to my new understanding of the point. Hannah had been my neighbor freshman year, and over four years has become one of my closest friends.

After spending an afternoon reminiscing about our college adventures and updating each other on the evolution of our lives, I couldn’t help but marvel at the tight bond we have cultivated. Our friendship did not manifest itself the way most friendships in college do — through mutual interests, attendance at the same parties, or shared majors. Hannah was a double major, Theater and English, and I was a Business major. We both had different interests, travelled in different social circles, and after freshman year never lived in the same building. In many ways we had very little in common.

Now, as I find myself graduated, out in the world, and looking to make the same kind of lasting and meaningful relationships, I wonder what makes my bond with Hannah so powerful? How did our relationship transcend a lack of shared interests?

I believe that the answer lies in the fact that the foundation of our relationship was not built on superficial things, like the fact that we both like the Red Sox or Harry Potter, but, rather, it was the product of something much stronger than shared interests — it was built on years of shared conversations.

Hannah is an important friend because she listens and asks questions. And the key to Hannah’s considerable power as a true friend and confidant is that she listens in ways that few people do — she gives me her undivided attention, challenges my opinions and assumptions, and makes my story the focal point of the conversation. Only interested people do that. And interested people force you to think, reflect — and evolve.

The truth is that often in our darkest times we are not even looking for feedback or advice, but rather someone to simply listen to us, empathize with our plight, and point us in the right direction. Sometimes all it takes is a really great listener to turn a life around.

Robert Coles, professor emeritus at Harvard University, renowned child psychiatrist, Pulitzer Prize winner, and recipient of the Presidential Medal of Freedom, is the author of The Call of Stories: Teaching and the Moral Imagination, a book that takes a very personal look at the power of storytelling and personal narratives to enhance understanding and empathy. Coles recalls an invaluable piece of advice he had received from one of his early mentors at Massachusetts General Hospital, Dr. Ludwig. He said, “The people who come to see us bring us their stories. They hope they tell them well enough so that we understand the truth of their lives. They hope we know how to interpret their stories correctly. We have to remember that what we hear is their story.”

What is critical here is the shift from the importance of the storyteller to the responsibility and significance of the story receiver. When we talk about our lives and experiences to one another in-person, as I do with Hannah, that face-to-face exchange is not just interactive — it’s interpersonal. Active listening demands that we give and receive a multitude of sensory and emotional cues — teaching us to listen deeply, to develop a sense of empathy, and, in some cases, to gauge what is right or wrong.

In that sense, then, being genuinely interested isn’t just a function of being polite; it is a kind of moral action that acknowledges the basic human need for understanding and connection.

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Special News Bulletin-http://www.acrx.org -As millions of Americans strive to deal with the economic downturn,loss of jobs,foreclosures,high cost of gas,and the rising cost of prescription drug cost. Charles Myrick ,the President of American Consultants Rx, announced the re-release of the American Consultants Rx community service project which consist of millions of free discount prescription cards being donated to thousands of not for profits,hospitals,schools,churches,etc. in an effort to assist the uninsured,under insured,and seniors deal with the high cost of prescription drugs.-American Consultants Rx -Pharmacy Discount Network News

Trooper Who Did Not Report Duggar Abuse Listed ‘Kinki Kids’ As Online Interest

The Arkansas state trooper who reportedly gave the young Josh Duggar a “very stern talk” once had a Yahoo profile in which he detailed his own sexual interest in children, according to a 2009 court document.

The Pulaski County, Arkansas, “risk assessment” document, which is publicly available online and was posted by Jezebel on Wednesday, detailed the criminal history of the former officer, Joe Hutchens, who is now serving a 56-year sentence on child porn charges.

When Hutchens was still working as a trooper in 2006, Jim Bob Duggar approached him with the information that the teenaged Josh had sexually molested someone, according to a police report obtained by InTouch. Josh had, in fact, “forcibly fondled” five underage girls, some of whom were his sisters. Hutchens did not officially report the teen’s actions but instead gave him a “very stern talk,” the report said.

Hutchens now claims that the elder Duggar did not tell him the whole story. In a prison interview reported by InTouch, Hutchens said that both Jim Bob and Josh told him that Josh had molested only one victim.

Hutchens added that he regrets his actions (or lack thereof). “I did what I thought was right and obviously it wasn’t,” he said. “If I had to do it over again, I would have told him immediately I am going to call the hotline and contacted the trooper that worked those cases and have a full report made. I thought I could handle it myself.”

The year after his meeting with Josh Duggar, Hutchens pleaded guilty to eight counts of possessing child pornography after authorities searching his home computer found multiple images of “prepubescent children” being sexually abused, according to the Pulaski County document.

The document states that Hutchens’ Yahoo profile username was “dadsluv2002” and that his profile listed such interests as “Kinki Kids,” “Child Play series,” “Strangers with Candy,” “Puberty” and “Preschools.” The report also states that between 2004 and 2005, Hutchens “spent considerable time on his computer viewing child porn.”

Hutchens was initially sentenced to five years in prison, but by early 2010 he had been released on a suspended-sentence agreement. In March 2010, he was arrested again on child pornography charges. This time he wound up pleading no contest to 10 counts of distributing, possessing or viewing child pornography, the Northwest Arkansas Democrat Gazette reported, and was sentenced to 56 years behind bars.

Though Jim Bob Duggar reportedly knew as early as 2002 that his son had assaulted a girl, he did not contact Hutchens until 2006. Prior to that, he had sent Josh to counseling at a Bible-based facility whose affiliated homeschooling program has been criticized for its “horrific” teachings about sexual abuse.

The Duggar family went on to star in the TLC reality show “19 Kids and Counting” — originally known as “17 Kids and Counting” — beginning in 2008.

Josh Duggar, who is now 27, apologized for his actions in a public Facebook post last Thursday. TLC pulled “19 Kids and Counting” from the network’s lineup the following day.


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Drew Barrymore Has No Interest in Losing Her Baby Weight and More Major Moments for Women on TV This Week

Let’s face it: the biggest stuff women did this week didn’t happen on television. I am referring to our Women of the Year celebration, which honored marine biologist Sylvia Earle and philanthropist Chelsea Clinton, among…




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For Those With Absolutely No Interest in Pirates

Facebook’s COO, Sheryl Sandberg, titled her book Lean In: Women, Work, and the Will to Lead. In her new memoir, A Fighting Chance, Elizabeth Warren recalls how, during her 2012 campaign for the United States Senate, she would frequently introduce herself to young girls by making eye contact as she said “I’m Elizabeth and I’m running for Senate because that’s what girls do.”

Much has been written about how the power networks in Washington, D.C. and Silicon Valley essentially operate like old-fashioned sausage factories, with much of the tech industry oozing near-toxic levels of a “bro” mentality. In her recent article entitled What Are Misogynist Geeks So Afraid Of? Amanda Marcotte (the author of It’s a Jungle Out There: The Feminist Survival Guide to Politically Inhospitable Environments) writes:

“You see, as a big punk and indie rock fan, I witnessed something similar happen in the 1990s in that scene. Women who wanted to play instruments in rock bands got a lot of shit from dudes. A lot of men who otherwise thought of themselves as progressive and enlightened would immediately bunch up the second they saw a woman playing guitar. This woman could do something they couldn’t do, or could do it better. The possibility that they weren’t inherently better just by virtue of being male was raised. So they tried to shut it down, reassert themselves and their social superiority (usually through sexual harassment, which is the cheapest and easiest way for a man to assert his male privilege). It sucked. Women fought back. Sexist dudes heckled louder.

Eventually, however — in no small part because the ugly attempts to assert male privilege started to evolve into bands like Limp Bizkit (showing exactly how much of an intellectual embarrassment misogyny really is), the women started winning. Nowadays, you go to clubs and women are up there playing. By and large, they are left alone. Occasionally some asshole will try to say something, but it’s a lot better than it used to be, by a long shot. The number of women on stage in punk and indie clubs seems much higher to me than it did when I was in my late teens and early 20s.”

Founded in July 2008, Bay Area Girls Rock Camp is the kind of summer program Marcotte might have loved to attend in her youth. The following documentary by Lily Yu, Judy Lee, and Jeremiah Mellor was recently screened during the 2014 San Francisco International Film Festival.

But what if you’re a spoiled teenage girl who finds herself in the following predicament:

  • Because of your family’s extreme wealth, you have no friends.
  • After staying out all night, every night, haunting the club scene and getting very little sleep, you’re prone to frequent bouts of narcolepsy.
  • Having been indicted for running a lucrative Ponzi scheme, your father (a Bernard Madoff type) is headed off to jail.
  • Although your big dream in life is to be hired as a drummer in a rock band, you ain’t got no talent.

The answer should be obvious: You end up as the protagonist in a new musical — but not just any musical. A musical with all this intrigue and a telltale tattoo, too!

2014-05-11-cutie1.jpg

Poster art for Sleeping Cutie with Jesse Caldwell as
the Father and Marissa Joy Ganz as his daughter, Lucy

The creative team for Sleeping Cutie: A Fractured Fairy Tale Musical knows its theatre history well. Not only have they named the show’s musical finale “Deus Ex Machina” (after a stage gimmick that was quite popular in ancient Greek theatre), they’ve obviously learned a lesson from the pre-Broadway tryout of 1962’s hit musical, A Funny Thing Happened on the Way to the Forum.

When Forum was foundering during its Washington tryout, Jerome Robbins was brought in as a show doctor to help the creative team (Stephen Sondheim, Burt Shevelove, and Larry Gelbart). Most people were unaware of the backstage tensions caused by his presence. Jim Brochu describes what happened in his one-man show entitled Zero Hour.

As an experienced dancer, director and choreographer, Robbins quickly identified the problem: The opening number “(Love Is In The Air”) wasn’t working and needed to be replaced. The audience needed to be told what Forum was all about at the beginning of the evening in order for them to understand the inspiration for its particular style of low comedy.

The opening number that Robbins devised (“Comedy Tonight”) became a Broadway classic. After Forum opened to rave reviews in New York, it received the 1963 Tony Award for Best Musical and ran for 964 performances,

Faced with so many fairy tales that have become cultural landmarks (not to mention popular adaptations of the Sleeping Beauty legend for ballet, animation, and updated versions of the story for film and stage), Diane Sampson (who wrote the book and lyrics for Sleeping Cutie) decided to set the tone from the beginning with an opening number entitled “What This Isn’t.”

With the tone of the piece firmly established, she was able to introduce a cast of characters familiar to modern audiences.

  • The Father (Jesse Caldwell) is a classic swindler who, faced with many years in jail, is having major regrets about the number of lives he has ruined. The person he is most concerned about, however, is his teenage daughter who seems alone and directionless.
  • Mary (Stephanie Prentice) is the archetypal housekeeper-guardian left behind to look over Lucy while her father is in prison.
  • Lucy (Marissa Joy Ganz) is a spoiled brat whose mother disappeared when Lucy was very young. As a result, she has never had to think of anyone’s needs but her own.

2014-05-11-cutie2.jpg

Marissa Joy Ganz is Lucy in Sleeping Cutie
(Photo by: Mellopix.com.)

Supporting characters that cross paths with the principals are handled by proteans Man #1 (John Patrick Moore) and Man #2 (Buzz Halsing), And then there are the two love interests:

  • Charlie (Luke Chapman) is the blind lead singer in a rock group which is auditioning female drummers for their band. He quickly falls for Lucy’s questionable charms.
  • The Woman (Gwen Loeb) is a patient in a rehabilitation center for people with psychological problems who has been chatting online with Lucy’s father and pushing for a chance to visit him in prison.

2014-05-11-cutie3.jpg

Gwen Loeb is a woman of mystery in Sleeping Cutie
(Photo by: Mellopix.com)

Co-produced by Playground and Off A Cliff Productions, Sleeping Cutie recently received its world premiere at San Francisco’s Thick House. In her director’s note, Cindy Goldfield writes:

“Directing a new musical is a funny thing. A lesson in trust, intuition, patience, and inspiration. My favorite part of the process (with the input of the playwright, composer, and the actors) is discovering the basic core themes which generally are present even in early drafts… the playwright’s voice ringing out even when they may not be able to articulate it themselves. Forgiveness. Retribution. Acceptance. Renewal. Fate. Recovery. Compassion. The themes of this play are big and lush, sometimes humorous and sometimes scary. Not your usual fare for a traditional musical … which this is not. In working on Cutie, what struck me were the internal struggles of the characters. The courage in reaching out for connection, trusting an intuition, finding strength in vulnerability. These universal human themes inspired me at every turn.”

2014-05-11-cutie4.jpg

Buzz Halsing, Jesse Caldwell, and John Patrick Moore perform
“The Carlo Ponzi Shuffle” in Sleeping Cutie (Photo by: Mellopix.com)

Sleeping Cutie features a clever, well-crafted book by Diane Sampson, clearly-defined characters and some delightful plot twists. Why then, did I leave the theatre feeling strangely unfulfilled? Perhaps it was because I couldn’t remember a single note (much less a complete song) from Doug Katsaros’s highly functional but not particularly memorable score.

The problem may have more to do with its execution on opening night than its basic composition. While each of the actors had a distinct voice, there seemed to be an odd imbalance at crucial moments. Marissa Joy Ganz’s Lucy tended toward shrillness while Gwen Loeb’s sweet soprano allowed her songs (“How I See It” and “Then and Now”) to resonate with more empathy. Unfortunately, John Patrick Moore’s upper range was simply not up to the vocal demands of Katsaros’s music.

2014-05-11-cutie5.jpg

John Patrick Moore, Luke Chapman, and Buzz Halsing are part
of a rock band in Sleeping Cutie (Photo by: Mellopix,com)

Keeping in mind that this production was mounted on a shoestring budget, these are minor quibbles which can probably be fixed with more money and better musical preparation.

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