Ioannes Spring 2019 RTW

Johannes Boehl Cronau showed his spring collection on the ground floor of Lafayette Anticipations, where models mingled on a floor strewn with pink slips of paper, wearing opened-toed mules. He continued to expose midriffs, using thinly knit bra tops this time, which he paired with cycling shorts in the same material.
The designer has a sharp focus, training his efforts on a select assortment of silhouettes that emphasize his eye for detail; he said he hoped the collection would mark a “really good start for what we’re trying to do.”
Drawing influences from carpentry from his childhood in Germany, he made a luxurious version of a tool belt, one in shiny black leather, another one in gray, which he used to complete an all-gray look. The trousers were both refined and easy, with two short zippers running vertically on the front, matched with a knit bra top.
Black nylon trousers with zips and a few flaps turned out to be an opened-up boiler suit, which was worn with a lightly knit tank top. He used the same knit for an elongated dress that had loops hanging off of the bottom, like mini arm straps.
He slightly enlarged fisherman’s hats, which came in somber hues

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Ioannes RTW Fall 2018

For fall, Johannes Boehl Cronau offered up a contemporary lineup with a masculine-feminine blend that brushed away traditional codes of hierarchy. A short, patterned skirt was engulfed by a bulky-knit sweater, while a cropped puffer coat with a flower motif completed a dressy look, paired with loose, gray trousers.
The designer swapped last season’s chunky-heeled opened-toed boots for cowboy mules, playing with the height of their heels. Gloves rose nearly to the shoulders, puffing out at the top of the arm like fancy sleeves.
With Virginia Woolf’s “Orlando” in mind, Cronau said he set out to empower women. The designer’s modern interpretation included minimalist silky dresses, exposed midriffs and deconstructed trenchcoats.
 

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