Avengers: Endgame Directors Shed Light on the Ending

Warning: this article contains SPOILERS for Avengers: Endgame!

Avengers: Endgame wrapped up Steve Rogers’ MCU journey on a very definitive note, ending with Steve travelling back in time to return the Infinity Stones to their proper places and choosing to remain in the past so he could finally have that dance with Peggy Carter.

This ending raises some big questions regarding the nature of time travel in the MCU and how it was even possible for Steve to stay in the past without creating a massive paradox. But directors Joe and Anthony Russo are adamant that Steve’s decision makes sense, and that there’s more to the story than fans saw in the film.

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The Shed Opens: What Our Critics Think

Soundtrack of America, “Reich Richter Pärt” and work by Trisha Donnelly were on offer during the arts center’s inaugural weekend.
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Hudson Yards: New York Chased the Olympics. It Got the Shed Instead.

How the city’s most ambitious new cultural institution in years — with a commitment to creating new work and reaching diverse audiences — rose in the wake of failed Olympic dreams.
NYT > Arts

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Starboard, Elliott Management Call on eBay to Shed StubHub, Classifieds

EBay is being circled by a pair of activist investors who want the online marketplace to consider parting with StubHub and its classified-ad business.
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Will New York Fashion Shows Ultimately Land at The Shed?

When will New York Fashion Week set up its fashion shows at the Shed, which opens April 5?
For years, reports have been circulating that the fashion shows would take place at The Shed once it was completed. The Shed revealed Wednesday that the new nonprofit cultural organization dedicated to commissioning, developing and presenting original works of art, across all disciplines for all audiences, will have its opening season starting April 5. The Shed looks to present world premiere works in the performing arts, visual arts and popular culture.
“We have built a home where established and emerging artists working in all disciplines can create new work in ways that we cannot even imagine,” said Alex Poots, artistic director and chief executive officer of The Shed.
So where does fashion fit in?
Ivan Bart, president of IMG Models and IMG Fashion Properties, which produces the fashion shows, said, “We are hosting NYFW: The Shows at Spring Studios this February, and our focus is on the upcoming season. The Shed is an exciting new development with incredible potential to enhance New York’s culture, and we’re confident many of our talent at Endeavor, whether with IMG or WME, will perform or engage with the space.” He

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Shania Twain sorry for saying she’d vote for Trump

Shania Twain has tweeted an apology to “anyone she offended” after saying she would have voted for Donald Trump in the US election.
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‘Visitors to Versailles’ Bows at The Met to Shed Some Light on Fashion

The Costume Institute at the Metropolitan Museum of Art is always the museum’s main event for fashion, but a smattering of historic styles will be found in “Visitors to Versailles” at the museum.
The exhibition bows April 16. Chief among the outfits in the newly opened exhibit is the three-piece suit worn by Benjamin Franklin during his visit to Versailles. The new exhibition at the Fifth Avenue museum also explores the various elements of a visit to the royal residence in the 17th and 18th centuries. Nearly 190 works from The Met, the Palace of Versailles and 50 different lenders are on view through July 29 in the Tisch Galleries.
As America’s first ambassador, Franklin was received by Louis XVI in 1778 and won the military support of France. Franklin’s three-piece suit from 1778-79 is on loan from the Smithsonian’s National Museum of American History. The Met’s new show will also feature a French silk brocade grande robe à la française, 1775-85, which was believed to have been worn by one of the wives of Christophe-Philippe Oberkampf — a well-known textile manufacturer — for her visit with Marie Antoinette, as well as a men’s formal French suit and a women’s riding habit. The exhibition

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Tinsley Mortimer Debuts New Short Hairstyle After Previously Saying She’d Never Cut It

Tinsley Mortimer is trying something new with her hair.

On Saturday, the 42-year-old Real Housewives of New York City star announced that she had done something she previously said would never happen: she cut her hair.

“In honor of the new season of #RHONY…I chopped my hair!! 💇‍♀️🍎 Thanks Ludmilla @oscarblandisalon,” she wrote alongside a picture of her new, shortened ‘do.

Mortimer’s haircut comes as a big surprise for RHONY fans.

In an episode from season 9 of the series, fellow New York City Housewife Carole Radziwill suggested Mortimer chop her hair to help the public forget about Mortimer’s headline-making mugshot, which was taken when the former socialite was arrested in 2016 for trespassing at an ex-boyfriend’s home.

But the idea of changing her hair sent Mortimer into panic mode. “I would never. I’ve always had long hair. Stop. I’m like sweating right now, having a nervous breakdown!” she said.

“I don’t feel comfortable with it. The way that I wear my fake eyelashes and curl my hair, it’s because I feel comfortable that way. That’s me,” Mortimer added. “I’m not cutting my hair, Carole. It’s not happening.”

Persisting, Radziwill insisted that Mortimer needed to reinvent herself. “If I was coming back to New York having been the ‘It’ girl, I would totally reinvent myself. Cut my hair, put some low lights in it. You can’t have the same curls you had when you were 28 and date the same boys and live the same lifestyle. You have to reinvent yourself,” she said.

But Mortimer wasn’t budging. “I’m not changing my look,” she later told the audience during a confessional. “I’ve had enough change in my life, especially last year. I’m not changing it. I like my curls, I like my lashes, I like my party dresses, I like my blonde hair, I like my long hair. I’m not changing.”

RELATED: Real Housewives of New York City‘s Tinsley Mortimer on Moving On After Her Humiliating Arrest and Violent Relationship: ‘I Still Believe in Love’

But there is one thing about Mortimer’s hairstyle that likely won’t change — her hair color.

I haven’t seen my natural hair color in 20 years,” the reality star told The New York Times in 2017, crediting her stylist Kylie White for her trademark color, which he described to the newspaper as “multitonal — a soft baby blond with a golden blond base; she has icy and buttery pieces.”

“Being blond just makes me feel happier, like when the sun’s hitting you,” Mortimer added. “The blond pops. It’s cheerful.”

The Real Housewives of New York City’s 10th anniversary season premieres April 4 (9 p.m. ET) on Bravo.


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Nonfiction: Two Testimonials Shed Light on Syrian Life and Death

Alia Malek’s “The Home That Was Our Country” and Wendy Pearlman’s “We Crossed a Bridge and It Trembled” channel voices from Syria’s war zone.
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BHP Billiton Urged by Activist Investor to Shed Oil Operations

Activist investor Elliott Management urged BHP Billiton to spin off its U.S. petroleum assets and outlined a significant restructuring for the world’s largest listed miner.
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Someone Made Tomi Lahren A Website She’d Definitely Hate

Tomi Lahren is a contentious political commentator.

The host of “Tomi” on TheBlaze has spoken out against abortion, the Women’s March, President Barack Obama, Hillary Clinton, and so-called liberal privilege. She’s asks the hard questions, like, “Can white people do anything?” and delivers advice like, “If you don’t want to be attacked, keep your clothes on.” 

So, naturally, someone made her a website that fits her beliefs quite perfectly: TomiLahren.org.

The site is a single page that has links to donate to the Environmental Defense Fund, the ACLU, the Coalition to Stop Gun Violence, and Planned Parenthood ― all overlaid on a wallpaper of a Tomi Lahren tweet that reads,”Anyone else need a drink?”

TomiLahren.org was created by 23-year-old Sam Hopkins, a software engineer, who was inspired to put this whole thing together after listening to Kellyanne Conway’s post-inauguration talk about “alternative facts.”

“I spent a good amount of time on Sunday looking up political themed domain names to buy and stumbled across TomiLahren.org,” Hopkins told The Huffington Post. “I originally wanted to buy alternativefacts.news and turn it into a satirical site.”

Because alternativefacts.news was taken, Hopkins bought TomiLahren.org for $ 18 and here we are.  

Currently, the site has more than 191,000 visitors and counting.

The irony here, of course, is the organizations the site links to. Lahren is passionately pro-life, committed to the Second Amendment, has a distaste for the “liberal agenda,” doesn’t believe climate change is of high importance, and frequently criticizes Black Lives Matter along with those who speak out against police brutality.

Well, like many other things in the world, Tomi will most likely hate this website. Nevertheless, Twitter seems to like it: 

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

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The garden shed full of helping hands

The British duo 3D printing prosthetic arms for children, for free, in the back garden.
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Why Sofia Vergara Says She’d Be ‘OK’ With Losing Her Fame

Sofía Vergara is at the pinnacle of her career thanks to a handful of endorsement deals and her role as Gloria in ABC’s Emmy-winning series “Modern Family.” But the Colombian-born actress recently said she never expected to become an actress, much less famous.

Vergara, 42, is set to grace the cover of Cosmo for Latinas’ summer issue, out on newsstands May 19. In her interview with the magazine, the star spoke about why she wouldn’t mind losing her fame, and her experience as a Latina in Hollywood.

The “Modern Family” star has been TV’s highest-paid actress for three consecutive years. But her success, she says, is not something she ever expected or aimed for.

“Sometimes you want fame to go away a little bit, because you want to do normal things,” Vergara told Cosmo For Latinas. “I think I’m old enough that I’ve already enjoyed all of it, so if it goes away, I think I’m still going to be OK. It was never really what I was looking for — it wasn’t even being an actress or being famous — it was just supporting myself and making money and doing a business for myself.”

When asked about her thoughts on the lack of Latinos in Hollywood, the actress said the community should instead focus on the recent success of Golden Globe-winning “Jane The Virgin” star Gina Rodriguez and director Alejandro González Iñárritu’s big win at this year’s Academy Awards.

“There aren’t as many roles for Latinas as we would want there to be, but we shouldn’t be complaining because a Latin girl just won a Golden Globe, a Latin director just won an Oscar,” Vergara told the magazine. “We should be very happy that there are people out there who are doing things and being recognized.”

In an interview with the Los Angeles Times earlier this month, however, Vergara did note that she feels there aren’t enough Latinos behind the scenes writing in Hollywood.

And the actress isn’t wrong about the numbers. “The Latino Media Gap,” a report released last June by Columbia University, found that between 2010 and 2013, only 2 percent of TV writers with a “critical position” were Latino.

“The problem is there aren’t Latin people creating content,” Vergara told the newspaper. “Many of them are doing soap operas. It is a lack of Latin people writing. It’s not the fault I think of an American writer. Usually when you write, you write what you know about. I admire the people who write for Gloria in ‘Modern Family.’ They’re mostly men. Mostly they’ve had wives like Julie Bowen’s character, but they’ve never had a Latin woman.”

For more on Sofia Vergara’s interview, head to Cosmo For Latinas.

sofia cover


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Biking, Walking to Work Can Help Shed Pounds

U.K. study found a switch away from cars helped folks with 30-minute commutes drop 15 lbs in 2 years
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Why Vanessa Williams Never Thought She’d Win Miss America (VIDEO)

Thirty years ago, Vanessa Williams made history as the first African-American woman to be crowned Miss America. In her interview for “Oprah’s Master Class,” Williams says never believed it was really possible for her to win before she actually took the crown.

Williams was a theatre major at Syracuse University and says she had no interest in pageants at first. She blew off the idea until her junior year, when she entered the Ms. Greater Syracuse Pageant – and won. “Then I ended up winning Syracuse, New York and Miss America in September within six months period of time,” Williams says.

During the Miss America 1984 competition, Williams says she took advantage of the talents she already had. “I sang a song that was easy for me,” she says. “I majored in musical theatre, so it wasn’t like I had to come up with an act.”

Though she thought she might place in the top 10, Williams didn’t think it would go further than that. “So I just basically was there to have a good time, I really did not think that I would win because I didn’t think that it was the time,” Williams says. “There had never been a black Miss America, so why would it be this year? If so, possibly I knew that I had what it took, but I didn’t think they’d actually go for it.”

After winning the title, her reign as Miss America was fraught with controversy. Williams opens up about the challenges she faced and the Penthouse scandal that forced her to resign on “Oprah’s Master Class” airing Sunday, July 13 at 10 p.m. ET on OWN.

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Nicole Holofcener On ‘Enough Said,’ Her Golden Globe Snub And The TV Show She’d Most Like To Direct

Nicole Holofcener wrote and directed one of the year’s most-loved sleeper hits: “Enough Said,” the romantic-comedy starring Julia Louis-Dreyfus and James Gandolfini as divorcees who spark an unexpected connection. Holofcener’s naturalistic writing style and grounded character dramedies have charmed audiences on the big screen for the better part of two decades, first with “Walking and Talking,” and later with movies like “Friends with Money” and “Please Give.” She’s also directed episodes of some of the decade’s best television series: “Sex and the City,” “Gilmore Girls,” “Six Feet Under,” “Parks and Recreation” and “Enlightened,” among others.

Last year, however, she was the subject of much acclaim. Reviewing “Enough Said,” Slate’s Dana Stevens praised Holofcener’s “admirable delicacy” and “razor-sharp dialogue.” Stephanie Zacharek of the Village Voice applauded her “knack for observing not just the way people respond to extreme situations, but what they do in everyday ones.” Along the way, the writer/director collected Best Screenplay nods at the Satellite Awards and the Independent Spirit Awards. If things go our way, she’ll earn an Oscar nomination for the movie come Jan. 16. In the meantime, though, we snagged a few minutes with Holofcener on the phone, where she was candid about being snubbed for the Golden Globe, the television show she’d most love to direct and what it was like to work with Louis-Dreyfus and Gandolfini.

Did you have Julia Louis-Dreyfus and James Gandolfini in mind while writing the script? Was anyone else considered for these roles?
I did not have them in mind. I did have a couple of other actors in mind that I won’t mention at the moment because it would be kind of uncouth. I had a general idea of who I would like and who would be great, but you never know who’ll be interested or available. But it does help, as a writer, to put faces on characters. It helps me to write.

As an actress, Julia Louis-Dreyfus is a master of improv. Was there an improv component to the project?
We stuck to the script. It’s funny, I wouldn’t say so much improv as ad-libbing. I don’t know if there’s a big difference, but it’s not like they would improvise and take the scene somewhere different. It’s more like they added a line or two, or changed a line and made it funnier, or added a line at the end of the scene where they thought maybe I cut. It was more like that, and it was very useful. I kept so much of their ad-libs; they’re hilarious and smart and so appropriate for their characters. It was great.

Can you offer an example of a scene that was improved by ad-libbing?
Yeah, Julia gets out of the car, she says, “I like your paddles.” He says, “I like your ass.” And that was Jim. That’s not in the script, and he said that in rehearsal, and I said, “Oh, you’ve got to say that when we shoot.” And he’s like, “No, Albert would never say that.” And there comes a point where it’s like, yeah, Albert might not have said it, but it makes Albert so much sexier and more funny that I want him to say that. I want him to be able to do that. It’s wonderful, right? I mean, what a great way to end the scene — it adds so much.

Right, an added punch.
And it makes him seem sexier because he has the guts to say that.

I know you cast Catherine Keener in basically every movie you direct. Do you think of her as a muse? What’s your gravitation toward her?
My gravitation toward her is based on her talent and our comfort level. I think she’s an extraordinary actor. She has been my muse. I didn’t write [Keener’s “Enough Said” character] Marianne with her in my mind, at least not consciously — but I have written parts just for her, and so in that respect she’s a huge inspiration. She’s fun, she’s smart, she makes my scripts better. Let’s go with that, right?

Did you get to talk to Julia after the announcement of her Golden Globe nomination?
No. Well, I texted her because I never know where the hell she is. I texted her, and then she texted me back. I texted her congratulations, and she texted me, “I hope you’re all right,” because I didn’t get a nomination.

And are you all right?
Well, I was very disappointed, actually. Of course, anybody who says they’re not is lying. As much as I was disappointed for the film and for myself, but I was also disappointed because I really wanted to go and be with her and have fun doing that together. So I don’t think that’s going to happen.

So you don’t see yourself getting invited as being associated with her nomination?
I don’t think so. And I don’t think I’d feel comfortable going since I wasn’t nominated or the movie wasn’t. I’m very happy she was. I’d be heartbroken if she wasn’t; she deserves every acknowledgement she gets.

You’ve directed some of the biggest TV shows of the past decade. What one show would you love to direct right now?
Oh gee, what’s on the air now? I’ve stopped watching anything recently. I read about that show “Getting On,” I think it’s called.

Yeah, with Laurie Metcalf?
Exactly. I wanted a job on that so badly, and I just found out it’s not picked up, I think. Maybe I should figure that out.

It’s on the air now. You should watch it, it’s great.
Yeah, I’m planning on watching the whole thing. It’s so up my alley that when I read about it, I was like, “I want to do one of those!”

It totally seems like your directing style. Would you want to do “Veep”?
Absolutely, I do. I kind of feel like that’s a machine that’s going so well. I don’t know who directs all the different ones, but it’s not as much in my style, obviously. I don’t know, it would be a blast, it really would. But I don’t know, it’s in Washington, and they’ve kind of got their directors set, so it’s not something I’m hoping to — I don’t know how to put it.

Do you have a classic episode of TV or a TV show as a whole that you look back and wish you had been a part of?
Well, yeah, I wish I had directed “The Sopranos.” Watching that, I was like, “Ugh, wish I could have gotten in there, that would have been a blast.” That didn’t happen. I grew up watching “I Love Lucy” obsessively, but I’d be dead by now if I had directed one of those.

You have a “special thanks” credit on “Where the Wild Things Are.” Did your involvement with that film lead you to meet James Gandolfini?
Oh no, I actually just wrote and directed “Where the Wild Things Are” and so they felt that had to put my name there. [Laughs] No, I did not meet Jim through [director Spike Jonze], but I watched several cuts of that movie and gave feedback and helped him try to fix some dialogue. That was the “thank you.” I met Jim in a very traditional way: I actually sent him a script of mine a few years ago and wanted to meet him about being in it, but he wasn’t quite right for that particular part, so I kept in the back of my mind because I loved meeting him so much.

Can you tell me what particular part that was?
It was a part that Oliver Platt eventually had in “Please Give.” He was Catherine Keener’s husband, and Jim would have been great, but he had just come off of “The Sopranos” more recently and his character kept screwing around. He had so many mistresses, and in “Please Give,” the character cheats and I didn’t want that connotation. Although I thought he would have been great in the part as well, but I’m so glad I got a bigger part for him and a chance to work with him longer than that.

Your next movie, “Every Secret Thing,” seems different. What attracted you to a crime story, and how do you decide once you’ve written a script whether you’ll direct it as well?
Well, this one was very easy. I was hired by Frances McDormand, who was producing it, to adapt the book, and I thought the book was really interesting and psychological. And the main two characters were 11-year-old girls, and I love that kind of dark psychological stuff, and I enjoyed writing it. And when it came time to direct it, I realized I couldn’t go with something that dark that long in my life.

So that was a decision you made?
Yeah, and it involved the death of a baby, and I just couldn’t go there.

So you could write it, but you didn’t want to have to put yourself in the scene of having to direct it for maybe months on end?
Yeah, and then edit it for months, exactly. I couldn’t face that. I think I made the right choice.

“Enough Said” is in theaters now. It will be released on DVD and Blu-Ray on Jan. 14.
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