Serena Williams Throws Daughter Olympia a Party Just for Fun

Serena Williams, Alexia Olympia Ohanian Jr.Serena Williams and Alexis Ohanian may not have celebrated their daughter Olympia’s first birthday last summer, but they did throw her a party on Saturday.
The tennis star posted on…

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Jessica Simpson Throws Son an Epic ‘Baseball and Parrots’ Party for His 5th Birthday

There’s no birthday wish that Jessica Simpson can’t grant — even a “baseball and parrot” bash!

That’s exactly what Simpson and husband Eric Johnson‘s son Ace Knute wanted for his fifth birthday party, and he got his wish. Simpson and Johnson transformed the event space into “Parrotdise,” complete with photo opportunities with live birds, baseball jerseys and a giant scoreboard.

The 37-year-old singer shared a family photo of everyone donning matching “Green Sox” jerseys, along with the colorful birds posing everywhere from Ace and 6-year-old daughter Maxwell “Maxi” Drew‘s heads to her own shoulder.

“Baseball and Parrots- a five-year-old’s dream come true!” she captioned the shot.

Simpson and Johnson also posed for a couple shot with their feathered friends, although the fashion powerhouse is caught making an awkward face.

“I’m totally comfortable here 🤣” she wrote Instagram, joking.

Simpson also made sure to document decorations like “The Green Monster” and a baseball scoreboard. There was also the “Donut Wall,” just one of the goodies to eat, along with a baseball-themed three-layer cake with a faux parrot posing alongside the number 5.

She also shared shots of Ace, who recently broke his arm and is still sporting a neon green cast, covered in parrots as well as a candid picture of Maxwell with her arms spread wide.

RELATED: “Cool Cousins!” Jessica Simpson Shares Cute Snap of Daughter Maxwell and Sister Ashlee’s Son Bronx

Maxwell celebrated turning 6 earlier this year with an equally epic bash: a circus-powered party inspired by the 2017 musical hit The Greatest Showman.

Her younger brother and attendees dressed as the characters from the movie, while Maxwell rocked a purple leotard and pink hair to resemble Zendaya‘s character Anne Wheeler.

Decorating the walls were posters featuring the birthday girl‘s likeness and the words, “Maxwell Can Fly! She Can Really Swing Too! The Daring Young Lass on the Flying Trapeze!” as well as one for Ace reading, “WORLD’S STRONGEST BOY!”

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Lauren Conrad’s Contractor Throws Shade at Her Kitchen Design: ‘He Called Me Boring’

Lauren Conrad is taking some heat for her interior design taste.

The former Hills star recently completed a remodel of the kitchen she shares with husband William Tell and their son Liam in Los Angeles. Because she’s partial to white-covered cook spaces (see her previous pristine space), it’s no surprise she leaned toward the same soothing vibe in her new home.

“I really like kitchens to be bright and light, so I just did it in all white and brass,” she told Architectural Digest. “Actually, my contractor made fun of me because I had white subway tile, and he called me boring, which is fair.”

RELATED: Whitney Port Shows Off Her New Nursery and Master Bedroom: ‘It Fills Your Heart So Much’

As a compromise, the Little Market cofounder decided to risk it, opting for something a little brighter.

“For the first time, I brought color into my kitchen!” she said. “I brought in a very pale blue-green-gray color as a little hexagon backsplash, so that was a big step for me.”

While her penchant for neutral shades may seem basic, Conrad incorporates personal tchotchkes and memorabilia to give rooms her signature twist.

“I think your home should be comfortable and filled with things that make you happy and really represent your aesthetic,” she explained. “I think it’s fun when you get to learn about a person when you go into their home, or on your shelves you have things you’ve acquired over the years of travel, or gifts handed down from the family.”

RELATED: Inside Brody Jenner’s Fiancee Kaitlynn Carter’s ‘Super Girly’ Los Angeles Apartment

She also suggests taking the design process slowly, collecting things as they come not because you need to fill a space. “You don’t want to open a catalog and find your living room layout on one page,” she said.

But if you do need to decorate in a pinch, this super-smart tip can help: “Just fill your home with flowers,” she said. “We recently threw a birthday party for my mother-in-law, maybe a month after my son was born, so I didn’t have time to put together a ton of stuff. A friend of mine’s a florist, and I just filled the house with flowers — it felt decorated.”

For more of Conrad’s tips — including foolproof gifting ideas — visit Architectural Digest.

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Jimmy Butler canoes, builds a campfire and throws serious shade at Fred Hoiberg

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Judge throws out DJ’s case against Taylor Swift

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French Court Throws Out Google’s $1.3 Billion Tax Bill

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Vincent Darré Throws Housewarming Bash

FRIENDS: Guests attending a housewarming party for designer Vincent Darré’s new apartment showroom in Paris on Friday night, located at 13 Rue Royale, were surprised to see that the place was still empty.
“It’s tradition in France, it’s a real housewarming, the place is still being decorated,” laughed Darré as workers in dungarees milled about serving Champagne. Vanessa Seward and Courrèges designers Sébastien Meyer and Arnaud Vaillant posed for pictures in the first room hung with sheets daubed with illustrations of King and Queen Royale, their faces cut out for guests to poke their own through, while in the lobby, a live Senegalese band banged out tunes.
“It’s cool, he’s made it his own,” said Seward, who revealed her husband, Bertrand Burgalat, is planning the release of an album based on soundtracks he has created for her show. “I think my favorite would have to be the first one, performed by April March, called ‘Vanessa’s Way.’”
Darré said he’ll install his new collection, Renaissance, in April, mixed with vintage furniture; contemporary artworks, and customized pieces by a range of designers including Eric Schmitt, Mathias Kiss and Mattia Bonetti. “It’s a return to what the arts décoratifs used to be. I had to fight with

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Mandy Moore Throws Cold Water On ‘Tangled’ And ‘Frozen’ Fan Theory

Sorry fans, Mandy Moore has outright rejected the theory that connects Disney’s 2010 animated feature “Tangled” with its 2013’s animated blockbuster “Frozen.” 

Fans have theorized that “Frozen’s” king and queen of Arendelle were on their way to the wedding of Rapunzel and Flynn from “Tangled” when their ship sank and they died. Fans believe that’s why the newlywed couple make a cameo in “Frozen” as they are obligated to be at Elsa’s coronation ceremony. 

It’s a rather disturbing theory and Moore, who voices Rupunzel in the Disney Channel’s new “Tangled” TV series, as well as the 2010 movie, was not having it. 

“That’s a pretty morbid fan theory,” Moore said while looking slightly horrified in an interview with TVLine, published Friday. “It feels like someone is really reaching, like into ‘Lost’ territory or something.”

“There is no connection as far as I know,” she continued. But I don’t think there is any connection. No. But sure, people can imagine what they will all day. That’s their prerogative.”

The theory actually goes a step further and connects the sunken ship that appears in Disney’s the “Little Mermaid” as potentially belonging to to the king and queen of Arendelle. 

It’s all very creative and the co-director of “Frozen,” Chris Buck, further connected films within the Disney universe when he participated in a Reddit AMA in August 2015.

According to Buck, the king and queen didn’t die on that ship. Rather, they washed up on the shore of a “jungle island,” where the queen gave birth to a baby boy. Together they all lived in a tree house before tragedy struck and the king and queen were eaten by a leopard. The baby boy was left to be “raised by gorillas.” If that sounds like the start to Disney’s “Tarzan,” it’s no coincidence that Buck also directed that movie and further helps cement the theory that all Disney films are somehow connected.

Tina Fey, Alec Baldwin, Tom Hanks, Tracy Morgan, Maggie Gyllenhaal, Michael Moore, Padma Lakshmi and a whole host of other stars are teaming up for Stand for Rights: A Benefit for the ACLU. Donate now and join us at 7 p.m. Eastern on Friday, March 31 on Facebook Live. #standforrights2017

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Man Proposes To Girlfriend On Romantic Plane Ride, Immediately Throws Up

When Darrell Hamilton Jr., decided to propose to his girlfriend, Rheanna Lopez, he wanted it to be memorable.

Well, it was, but not in the way he intended, expected or, frankly, wanted.

Last month, Hamilton took Lopez on a plane ride of the Blossom Trail, an area near Fresno, California, where fruit trees start blossoming in late February.

Hamilton, a video editor for KFSN TV, has been dating Lopez for two years and knew he wanted to marry her since last year.

“I planned it for so long,” he told Inside Edition.

But he never planned on getting motion sickness during the flight.

“The only thing was really on my mind was wanting to get it over with,” he said.

The video shows Hamilton showing Lopez the ring and “Will you marry me?”

Seconds later, he vomits on the floor.

“I just went into help mode,” Lopez said. “I didn’t know how to react. I was in shock.”

Hamilton admits his girlfriend had trouble getting her own bearings ― emotionally, that is.

“She was really surprised,” he told the New York Post. “She was caught off guard and had mixed emotions because I started throwing up. She didn’t know what to do. She was concerned about me.”

Lopez finally decided to pat him tenderly on the back while handing him a sweater to wipe his face.

Oh, and she did say yes.

Under the circumstances, their first kiss as an engaged couple wasn’t a lip-smacking smooch fest. Instead, they each kissed their fingers and touched them together.

Since the proposal was such as a challenge, it’s understandable they haven’t made wedding plans yet.

Still, Hamilton is already planning his life with Lopez.

“I have a son from a previous relationship and me and Rheanna don’t have any kids together,” Hamilton told ABC News. “So maybe starting a family with a child of our own and being a role model for the both of them, and for her.” 

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

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Let Rapping Big Bird Make Your Day As He Throws Down To Big Pun’s ‘Still Not A Player’

He’s an endearing childhood character, and he’s not a player — he just crushes a lot.

“He” is Big Bird, and thanks to some inspired editing by Ben Roberts, aka Animal Robot, he’s also a fan of the late rapper Big Pun.

If you’ve ever wondered what Big Bird does after he leaves Sesame Street for the day, now you have an answer. In this demo, he mouths along to Big Pun’s raunchy 1998 hit “Still Not A Player,” while assorted Muppets back him up.

If this video strikes a familiar chord, there’s a reason: In March, Animal Robot posted this video of Earl Sinclair of “Dinosaurs” fame rapping Notorious B.I.G.’s “Hypnotize,” which went viral for obvious reasons.

H/T Tastefully Offensive

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The Illustrious Oakland Ballet Throws a Party Like No Other

Joy Gim and Ron Thiele in Leonide Massine’s Scheherezade. Photo: John Markowski (1990)

This week marks a major milestone in the history of two storied American ballet companies on opposite coasts: American Ballet Theatre turns 75, and Oakland Ballet turns 50.

Bowing to their respective pasts, their gala celebrations spotlight two different golden eras in the history of ballet: the Diaghilev era in the case of Oakland, and the American pioneers of the mid 20th century in ABT’s.

A sybaritic film salute to ABT by Ric Burns, which just premièred on PBS, underscores the influence of impresario Serge Diaghilev’s Ballets Russes and its revolutionary collaborations with Stravinsky, Satie, Cocteau, Picasso, Bakst, Chanel and others, on the evolution of dance in America.

Oakland Ballet founder Ronn Guidi was passionate about reconstructing these modernist works, and this weekend the company will gift us with excerpts from five iconic ballets by Mikhail Fokine (Petrouchka and Scheherazade), Léonide Massine (La Boutique Fantasque) and Bronislava Nijinska (Le Train Bleu and Les Biches), as well as Vaslav Nijinsky’s groundbreaking, erotic L’Après-midi d’un Faune in its entirety. The décor for Ann Hutchinson Guest’s 1995 restoration of Faune has been resurrected for this season’s gala. For one brief shining evening, in the glorious precincts of the Art Deco Paramount Theatre, home to many of the company’s past seasons, audiences will be transported not just to Oakland Ballet’s early days but back to the heyday of the legendary Ballets Russes in the 1910’s and 20’s.

Ethan White in Vaslav Nijinsky’s L’Après-midi d’un Faune, restaging by Ronn Guidi. Photo: Marty Sohl(2007)

Oakland Ballet Company dancers in Bronislava Nijinska’s Le Train Bleu, restaging by Irena Nijinska. Photo: Emilio Mercado(1996 )

(l to r) The Three Athletes: Joral Schmalle, Ron Thiele, and Don Schwennesen with Oakland Ballet Company dancers in Bronislava Nijinska’s Les Biches, restaging by Irena Nijinska.Photo: John Markowski(1990)

2015-05-19-1432069659-4107469-OaklandBallet_Massine1.jpgTyler Rhoads and Daphne Lee in rehearsal for Léonide Massine’s La Boutique Fantasque. Photo: David DeSilva

Guidi’s curatorial tastes were not confined to the Diaghilev era, however. Under his direction, through the 1990’s, Oakland Ballet also revived modern American classics and commissioned new work. Eugene Loring contributed several ballets including The Tender Land, for which Guidi invited composer Aaron Copland to conduct his score.

Graham Lustig – at the helm of the company since 2010 – has chosen to represent this period in the gala program by excerpts from Loring’s Billy the Kid, Alonzo King’s Love Dogs, and Ronn Guidi’s The Secret Garden, and by the full-length Green by Carlos Carvajal.

Lustig thinks big. Not simply content with honoring tradition, he says “we must step away from it, too,” and has roped five choreographers, all of whom have longstanding connections to the company, to make new dances for the gala. In addition to Lustig’s world première to music by minimalist Max Richter, Val Caniparoli, Betsy Erickson, Michael Lowe, Robert Moses and Amy Seiwert – a formidable brigade of Left Coast dancemakers – are each crafting a toast to the 50th anniversary of this historic company.

And while tight finances preclude the furnishing of live orchestra for the evening, renowned pianist Roy Bogas will play live for Moses’ new piece, set to Satie, and for the revival of King’s Love Dogs, set to Poulenc.

Dying to see how Lustig was going to execute these heroic maneuvers with a lean, mean fighting machine of only 14 dancers, Ballet to the People tiptoed into Oakland Ballet’s busy studios at the Malonga Casquelourd Center for the Arts to spy on Erickson and Caniparoli at work on their new pieces.

Emily Kerr and Taurean Green in rehearsal for new work by Betsy Erickson. Photo: David DeSilva)

A duet for Emily Kerr and Taurean Green, set to the shimmering, soaring strings of Marjan Mozetich’s “Postcards from the Sky,” marks Erickson’s return to choreography after a long absence. Oakland-born, Erickson was ballet mistress for Oakland Ballet in the 1980’s, after her own illustrious performing career, and the pieces she created on the company back then were much admired. Her new, story-less duet situates Kerr and Green as equals, with similar qualities of strength in their movement.

As the silvery blonde Erickson demonstrated a sweeping movement of the arms with a slight twist of the shoulders, Kerr imitated her delicate but authoritative épaulement, and Ballet to the People was struck by the identical beauty of their serene, aristocratic profiles.

Erickson has Kerr and Green chew up space and together, they look like a god and goddess gamboling on Mount Olympus. They’re an intriguing pair: the fragile-looking Kerr, whose steely core emerges unexpectedly, and the imposing Green whose body lines slash thrillingly through space.

Sharon Wehner and Sean Omandam in rehearsal for new work by Val Caniparoli. Photo: David DeSilva

Across the hall, the animated, silver-haired Caniparoli took three couples through a lighthearted, caffeinated romp that had them slouching and stomping and ricocheting off each other and off the floor, a dash of hip hop here, a nod to French court dances there.

But first they had to work out a thorny new lift.

Caniparoli demonstrated it with Sharon Wehner, threading one arm through her arms that were tautly cocked behind her like the wings of a rooster. With his other hand providing leverage against a critical spot on her mid-spine, he timed his push to match her jump. She sailed through the air, snapping her legs into a split at the peak for even more oomph. It took a bit of practice before Sean Omandam, Matthew Roberts and Tyler Rhoads could achieve the same effortless propulsion with their partners. Daphne Lee and Alysia Chang rounded out the spirited sextet.

Once they had the entire sequence down with counts, it was time to run it with music. This knock-your-socks-off arrangement of Leopold Mozart’s “Toy Symphony” has been re-orchestrated for the 21st century, in a recording by violinist Gidon Kremer and the Kremerata Baltica, with the tinny buzz of a cellphone and the high-pitched drone of a computer-generated voice chirping “hello” in place of the more familiar toy trumpet, cuckoo and drum.

It was all the dancers could do to keep from cracking up as Caniparoli tossed witty movement jokes at them, but they had to work hard to syncopate the movement the way he instructed.

Grins broke out, however, once costume-fitting time rolled around. Of the bold, bright designs, Ballet to the People scribbled in her notes: “Alice in Wonderland meets Cabaret.”

Just as Oakland has weathered grave economic and socio-political storms, the viability of its ballet company has been threatened several times in recent decades. Lustig is a pragmatist when it comes to fiscal management. The magic that is making this gala come together is not magic at all: it’s the generous collaboration of dozens of former Oakland Ballet alumni – coming in to coach the present crop of dancers in the revivals, lending a hand with designs – and the goodwill of many organizations including the Paramount Theater, the Oakland mayor’s office, the unions. Lustig’s dreams of restoring the company to its former luster, augmenting his imaginative – and profitable – Nutcracker with a full spring and fall season, will require significant public and private commitment from a city that seems perennially strapped and preoccupied with other issues.

This is an image problem hardly unique to Oakland. Farther south, in the more affluent Silicon Valley environs, Ballet San Jose recently issued an emergency appeal for half a million dollars, and will require another $ 3.5 million by October to stay afloat.

Those with deep pockets who are looking to make an impact with their philanthropy may not see ballet as sufficiently cutting-edge, hip or relevant.

But Lustig’s impeccable programming taste and vision may change their minds.

The day after the gala performance at the Paramount, the company will take the party to Laney College, where it will perform its newest works alongside an array of local dance companies. These include the imaginative AXIS Dance, which unites dancers with and without physical disabilities, Walnut Creek’s spunky Diablo Ballet, The Milissa Payne Project, street dance crew Turffeinz, and Tessera Tribal Belly Dance.

Of the updated score that Val Caniparoli uses in his latest work, Gidon Kremer called it an attempt “to set Mozart in the frame of our time.”

With this gala, Graham Lustig does exactly that for classical ballet.

For more information on Oakland Ballet’s 50th anniversary gala weekend, and to purchase tickets, see their website.

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Late free throws lift Kentucky by Notre Dame

Andrew Harrison made two free throws with six seconds remaining, and the top-seeded Wildcats kept their unbeaten season and national title hopes intact with a 68-66 win over Notre Dame on Saturday night in the Midwest Regional final.

Man Throws Brick At Window. Brick Bounces Off Window. Brick Knocks Man Out. (VIDEO)

We’ve come a long way as a species.

Once nothing but bacteria floating in a salty ocean, we grew legs, pulled ourselves up by our boot-straps, and started walking on land. We hunted animals with our bare hands before developing spears and other weapons. We built pyramids. We sent humans into space. We got knocked out trying to throw a brick through a car window.

That’s right.

A would-be thief in Ireland attempted to break into a car by throwing a brick into the vehicle’s window, only for the brick to bounce back and knock the man unconscious, CCTV video obtained by the Irish Independent shows.

The owner of the nearby Pheasant pub and the car that fought back, Gerry Brady, came out to investigate and saw the man lying in a pool of his own blood. That’s when the suspect attempted to blackmail him, he said. More from the Independent:

“When the Gardaí picked him up, he started claiming that I attacked him. He was still telling them that in the station when I came in with the footage of him getting knocked out by his own brick.”

“You should have heard the garda laughing when they saw the video. They were in stitches. Credit to them, they were straight out when we called and found the guy within minutes.”

The man was quickly collected by authorities, and the incident remains under investigation.

Still, this brave almost-robber has taught humanity an important lesson: No matter how evolved we are, sometimes we are bested by bricks.

h/t Gawker

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Waste in Focus: What America Throws Away (PHOTOS)

Photographer Peter Menzel captured America’s attention with his last photo project, What the World Eats, and his book What I Eat: Around the World in 80 Diets. In that project, Menzel’s images powerfully portrayed differences in income, nutrition, and lifestyle.

His latest project, centering on what Americans across the country throw away and recycle, is no less powerful. The images that make up Waste in Focus feature eight American families surrounded by their weekly waste broken down into what is recycled and what goes to the landfill. The images make it impossible to deny how much waste some households generate, or that it is possible to reduce the amount of waste in our homes by making a few simple changes.

Click on any of the following images to enlarge it.









All photos by Peter Menzel
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