Inside Nick Jonas and Priyanka Chopra’s Traditional Hindu Wedding

Priyanka Chopra, Nick Jonas, Pre-Wedding Round two!
Nick Jonas and Priyanka Chopra took part in a traditional Hindu wedding ceremony at the Taj Umaid Bhawan Palace in Jodhpur in the actress’ native India on Sunday, E! News…

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AT&T Loses Record Number of Traditional TV Subscribers in Q2, Drops 156,000 DirecTV Satellite Customers

AT&T’s pay-TV business continues to sink, as the telco lost a record 351,000 traditional video customers in the second quarter — with the internet-delivered DirecTV Now over-the-top service failing to fully offset the losses. Meanwhile, AT&T’s $ 85 billion bid to acquire Time Warner is still on track to close by the end of 2017, according… Read more »

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Food As Medicine: Traditional Chinese Medicine-Inspired Healthy Eating Principles with Action Guide, Worksheet, and 10-Week Meal Plan to Restore Health, Beauty, and Mind Reviews

Chrissy Teigen and John Legend Try on Traditional Garb on Vacation in Bali with Daughter Luna

Chrissy Teigen and John Legend are immersing themselves in the local culture on their latest vacation.

The model shared a photo of the famous couple donning traditional Balinese garb on their family getaway with 1-year-old daughter Luna.

“We had the most beautiful, wonderful time in Bali,” she wrote. “Como Shambhala, my body and mind have never felt so clear. Thank you for getting me to move again (first time since I was 8 months pregnant and Luna is ummmm 15 months old) and giving me some much-needed body and nutrition schooling! And thank you for dressing us in your beautiful, traditional ceremonial costumes! And don’t worry, everyone. I still love me some .99 two tacos. Balance! #notbeingpaidtosaythis.”

Teigen, 31, also shared a photo of herself wearing a golden headdress and matching robe while holding her daughter.

RELATED VIDEO: Baby Luna Enjoys Some Sushi With Parents Chrissy Teigen & John Legend!

The model also posted a video of her doing some flying yoga with her instructor Amy, who Teigen dubs “the most patient human in the world.”

When the Cravings cookbook author struggles to lift herself up after hanging upside down, Amy steps in to assist.

There was plenty of relaxing on the vacation too. Legend, 38, filled his Snapchat with photos and videos of the family. In one, he sits at the edge of a pool with Luna in his lap, while his daughter snacks on a banana with her mother in another.

Another photo shows of his wife flaunting her modeling skills.

Luna recently joined her parents on the road for Legend’s Darkness And Light tour, which kicked off in May with 35 dates in North America.

Legend has said touring with baby involves a whole new environment that he and Teigen are ready to embrace with their daughter.

“I’m excited that we’re in the position where we can bring on tour this summer and late spring, so that’ll be fun,” he told PEOPLE in April. “I’m in a position where we can make things happen to make sure she’s around us as much as possible.”


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The Blend of the Traditional and Contemporary Dominates Amazon India Fashion Week

NEW DELHI, India — While the fashion  silhouette changed this season at the 29th edition of Amazon India Fashion Week Winter 2017, held in association with Maybelline New York, the shows opened with a focus on how to blend traditional craft with contemporary design.
The first show of the week, featuring 13 designers, focused on using handlooms in modern fashion. A collaborative effort between the Fashion Design Council of India and the Handloom School supported by retailer Good Earth showcased work by designers including Rohit Bal, Rajesh Pratap, Singh Suket Dhir, Raw Mango, Akaaro, Antar-Agni, Eka, Pero and Urvashi Kaur.
As Sunil Sethi, president of the Fashion Design Council of India, observed, the event dedicated to India’s handlooms and textiles did indeed make a “giant leap in the legacy to promote the homespun.”
Anita Lal, founder of The Good Earth Co., said, “We’ve never participated in fashion shows. But we realized that in order to popularize the concept of handloom it has to be seen as something desirable, something that has a certain appeal to younger people, which is why we did the fashion show and sponsored.”
Textile minister Smriti Irani, who was at the event, observed that the industry itself was going through

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Kanye West was not asked to play ‘traditional’ Donald Trump inauguration

Kanye West won’t appear at Donald Trump’s “traditionally American” inauguration, the organiser says.
BBC News – Entertainment & Arts

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Edwards Garment Traditional Baggy Chef Pants

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Edwards Traditional Baggy Chef Pants # 2001EDW These Edwards Traditional Baggy Chef Pants will give you all the support you need at work. The material is a light 7 ounces so you will barely feel them on you. The elastic waistband is larger than normal. It is approximately 2 inches in width to give you extra support where it’s needed the most. The brass zipper on the front will keep your fly zipped up at all times. The front pockets are large enough to keep a variety of materials inside. The single back pocket is a great addition to the large front pockets. These pants were made to give you as much room as possible. Fabric type: 65% Poly/35% Cotton poplin material Fit: Baggy Machine wash or laundry wash Graduated inseam based on size
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Traditional Body Care Methods: Natural Ancient Ways to Keep Your Body, Hands, and Feet Beautiful and Younger Looking

Traditional Body Care Methods: Natural Ancient Ways to Keep Your Body, Hands, and Feet Beautiful and Younger Looking


Table of ContentsIntroductionSkin Cleansing RubsFor Oily SkinSkin BlemishesCombination SkinsDull and Lifeless HairProblems of Excessive SweatingHyperhidrosis And Mud TherapyBenefits of Using MudLocal Application of MudBenefits of Mud PacksHaving a Mud BathNatural Skin Lightening and Anti-Tanning MethodsGetting Rid of WrinklesAn Oil PolishPapaya TreatmentThick Brows and EyelashesPreventing Chapped LipsDark ElbowsSmoothing Rough SkinGetting Rid of CornsGetting Rid of Warts and Moles. Healthy NailsConclusionAuthor BioPublisherIntroductionI was reading one of my favorite authors, Rex Stout, and Archie Goodwin, my favorite narrator spoke about one of their clients who he did not like. She was loudmouthed, rude, overdressed, and he was glad to see that he had an excuse not to like her. She had an unwashed neck.I gave a grin of smug and superior pomposity. Washing behind my ears, and washing my neck properly every day when having a bath had been drilled into me when I was a baby. So I had a squeaky clean neck, hurray, hurray. But it looked like I had been neglecting my elbows and my knees and also my feet. That comes of having no time for leisurely showers because one is in too much of a hurry to shower, get ready, and get out of the house in time to catch the morning’s rush to the rat race. Even if you are not rushing around, and you have all the time in the world to have a long leisurely bath with all those lotions, potions, bath salts, and all those chemical-based stuffs, let us look at natural methods which are going to add to a clean body and exterior. These notions of elementary hygiene and cleanliness were disregarded, in many parts of the world, especially in Europe for centuries, but in other parts of the world, especially in ancient civilizations like Egypt, Persia, Babylon, China, Japan, and even ancient Europe, traditional beauty recipes to take care of the body and keep it young, youthful looking, and beautiful were handed down from grandmother to grandchild, and

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An African American Cookbook: Traditional and Other Favorite Recipes

An African American Cookbook: Traditional and Other Favorite Recipes


Here’s a cookbook that is definitely American-African American! This collection of numerous recipes treats the palate to a special culinary heritage brought to us by African Americans down through history, along with other traditional favorites like Baked Lasagna and Chicken Parmesan. From simpler recipes like Fried Fish and Hearty Sausage Bake to more complex dishes like Cajun Cassoulet and New Orleans Gumbo, this cookbook gives you plenty of options for breakfast, lunch, and dinner. Quotes, lyrics from spirituals, and personal reminiscences are sprinkled throughout, reminding the reader that there is a very real-and very human-history behind the food.Product DetailsDimensions: 7” W x 9” HSoftcover, 248 pages, by Phoebe BaileyIncludes indexISBN: 978-1-56148-352-5
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Crystorama Chandelier fixture Model 4379-CH-CL-MWP Hot Deal Collection Chandelier in Polished Chrome w/Clear Hand Cut Crystal.. Traditional from the Crystal & G

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FootJoy Tour Traditional Golf Shoes – Mens

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The 2013 FootJoy DryJoys Tour golf shoes are designed with incredible style and have taken performance to the next level with Stability PODS technology.
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�P�o Peep!: Traditional Spanish Nursery Rhymes (Spanish Edition)

�P�o Peep!: Traditional Spanish Nursery Rhymes (Spanish Edition)


El sol es de orola luna es de platay las estrellitasson de hoja de lata.The sun’s a gold medallion.The moon’s a silver ball.The little stars are only tin;I love them best of all.Here is a groundbreaking bilingual collection of traditional rhymes that celebrates childhood and Spanish and Latin American heritage. From playing dress up to making tortillas, and from rising at daybreak to falling asleep, these joyful rhymes are sure to delight young readers.Passed down from generation to generation, the twenty-nine rhymes included have been lovingly selected by distinguished authors Alma Flor Ada and F. Isabel Campoy. English adaptations by Alice Schertle capture the spirit of each rhyme and have a charm all their own. Accompanied by enchanting illustrations by Spanish artist Viv� Escriv�, this collection is destined to become a beloved classic for children already familiar with the rhymes as well as those encountering them for the first time.
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�Pio Peep!: Traditional Spanish Nursery Rhymes

�Pio Peep!: Traditional Spanish Nursery Rhymes


El sol es de orola luna es de platay las estrellitasson de hoja de lata.The sun’s a gold medallion.The moon’s a silver ball.The little stars are only tin;I love them best of all.Here is a groundbreaking bilingual collection of traditional rhymes that celebrates childhood and Spanish and Latin American heritage. From playing dress up to making tortillas, and from rising at daybreak to falling asleep, these joyful rhymes are sure to delight young readers.
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Ultra Play Traditional Push-Up Station

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UTP1310 Features Upright material: Metal Functional stationary equipment that can be used for numerous exercises Exercise benefit is based on user’s activity level Manufacturer provides 2 years limited warranty Made in the USA Recommended for Commercial Use Product Type: Push-Up Bars Country of Manufacture: United States Dimensions Overall Height – Top to Bottom: 22″ Overall Width – Side to Side: 84″ Overall Depth – Front to Back: 4″ Overall Product Weight: 84 lbs

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Westward Leaning – N°7 \\ Sleeping Beauty – Traditional

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The Achievement: Turquoise has been central to Native American and Southwestern jewelry for centuries. Today, the Southwestern area of the United States continues to provide the finest turquoise in the world, much of it coming from the enormous Sleeping Beauty mine in Globe, Arizona. This model celebrates the ingenuity of Native American and Southwestern jewelers, who remain the world’s leading experts on turquoise, and whose “backing” techniques revolutionized and enabled this material’s use in jewelry. The Material: This model features turquoise, hand-cut by a master jeweler and inlaid into the frame.

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Traditional Japenese sesame sushi Greeting Card

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Virtual Personal Training Manual: Over 2,000 Smartly Designed Exercises, Workouts, and Classes with Illustrations. Designed for Webcam, Virtual or Traditional Personal Training, Fitness, and Group Exercise.

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Used – Fused from a multitude of fitness and wellness disciplines including core, plyometrics, yoga, boot camp, pilates, conditioning, rehabilitation, cardio, boxing, balance, stability, flexibility, qigong, range of motion, stretching and more. Ideal for personal trainers, fitness trainers, yoga teachers, pilates instructors, bootcamp teachers, health professionals, and participants of any level. What is Physical Fitness? What is Holistic Wellness? What is Mental Health? This book has the answe

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Classic Recipes of Singapore: Traditional Food and Cooking in 25 Authentic Dishes

Classic Recipes of Singapore: Traditional Food and Cooking in 25 Authentic Dishes


Classic Recipes of Singapore: Traditional Food and Cooking in 25 Authentic Dishes

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Xenon Traditional Design Fender Flare 8302 Fender Flares

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Wedding Rites: A Complete Guide to Traditional Vows, Music, Ceremonies, Blessings, and Interfaith Services

Wedding Rites: A Complete Guide to Traditional Vows, Music, Ceremonies, Blessings, and Interfaith Services


Many engaged couples, no matter what their personal style, find themselves turning back to tradition for their wedding ceremony. Is there a way to follow tradition and still carve your own wedding path? Yes, there is – with this unique book in hand. Michael Foley presents meaningful wedding traditions so old that they’re practically new again. Roman Catholic, Protestant, Orthodox, and Jewish wedding traditions fill this comprehensive guidebook, the only one of its kind. From music and flowers to vows and ceremonies to blessings, Foley’s Wedding Rites contains a vast assortment of rich traditions very usable in weddings today. Best of all, it’s easy to reference and easy to use This book is an indispensable resource for couples, wedding planners, ministers, and all who love the beauty of tradition. Wedding Rites offers: concrete suggestions for each facet of your wedding, from engagement to reception guidelines for designing your own distinctive wedding program practical advice for interfaith weddings forgotten wedding customs – carecloths, loving cups, coin blessings, and others and much more
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Wedding Rites: The Complete Guide To Traditional Vows, Music, Ceremonies, Blessings, And Interfaith Services

Wedding Rites: The Complete Guide To Traditional Vows, Music, Ceremonies, Blessings, And Interfaith Services


Distinguishes itself from hundreds of other wedding planners by reintroducing forgotten Jewish, Catholic, and Protestant customs for couples seeking to infuse contemporary celebrations with rich symbolism and ceremonial splendor. – Publishers Weekly Many couples, no matter what their style, find themselves turning back to tradition for their wedding ceremony. Is there a way to follow tradition and still carve your own wedding path? Michael Foley offers Roman Catholic, Byzantine (Eastern Catholic and Orthodox), Protestant, and Jewish wedding traditions in this comprehensive collection. From nuptial music, to readings, to vows, ceremonies, and blessings, Wedding Rites contains a vast array of treasures. Youll find, among other things, blessings for a young couple from sixth-century Rome and coin ceremonies from medieval France. Above all, this is a practical guide for making a beautiful and meaningful – yet affordable – wedding. Easy to reference and easy to use, it includes concrete suggestions for each stage of planning and sound advice on honoring and combining traditions for couples from different religious backgrounds. Wedding Rites is an indispensable resource for couples, wedding planners, pastors, and all who love the beauty of tradition.
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Traditional Delicacies Of Kerala

Traditional Delicacies Of Kerala


Bordered by land on three sides and the Arabian Sea in the west, the Indian state of Kerala is divided into three geographical regions – the highlands, the midlands, and the lowlands. The cuisine of this fertile land, so rich in nature’s bounty, is linked to the rich influences from both land and sea, which created the unique synthesis of its food and cultural traditions. The wonderful array of spices which grow here, the vast varieties of fish, the vegetables, poultry and meats which abound, have all influenced the food preferences of the Kearalite and include both vegetarian and non-vegetarian fare. Before these delectable dishes are forgotten and become extinct, Minnie Matthew has collected some of these traditional recipes from her mother, Saramma, an outstanding cook, in an effort to capture the authentic food of Kerala, as well as some of Saramma’s magical culinary secrets, for future generations. This book had been created for the benefit of those who have not had the opportunity to live in traditional Kerala households but who are keen to savour the flavours of traditional cooking. This ethnic cookbook demystifies traditional cooking for the modern cook. The recipes are easy to prepare and are easily adapted to the contemporary kitchen. The array of fascinating recipes include fish, vegetables, rice, meat, savoury and sweets, as well as dishes for breakfast/high tea dishes, desserts, chutneys, chutney powders, pickles and preserves. In each section, the Author provides nutritional facts and the recipes include Saramma’s invaluable tips for enhancing the taste and flavour of the dishes. Suggestions for dishes to be cooked on various occasions are also provided. In a modern world, there still remains considerable interest in traditional recipes. Foreigners in particular express great interest in understanding the traditional cooking of India. However, it is difficult to find cookery books on traditional cookery and traditional dishes are rarely seen on restaur

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Debutaunt Examines Traditional Rites of Passage While Encouraging Young Women to Find Their Voice

2015-05-26-1432665164-4159256-ARMWRESTLE.jpg

I’m sitting in an airy warehouse in Red Hook Brooklyn filled with plush white beach-house furniture, rustic chandeliers, and freshly cut dogwood branches. The space is an old converted ice cream factory used for weddings and other events but will soon be transformed into a charming ballroom for a new immersive show, Debutaunt. Director and choreographer of the show, Mary John Frank, twirls and moves swiftly in front of me as she maps out the three act structure of the immersive dance-based show. Between rehearsals she takes a beat to sit down and answer a few questions.

TR: Tell us a bit about Debutaunt. What is it?

MJF: Debutaunt is an interactive dance-based show where audiences are invited to attend a debutante ball. Guests are divided into teams or “families” and encouraged to root for a specific debutante. Thematically the show explores coming of age rituals, tradition, and the notion of being presented or being on display.

TR: Why is the title of the show Debutaunt and not Debutante? Tell us about the “taunt” part of title.

MJF: The show pokes fun at the notion of arrival. In my twenties I had the mentality that, “when I get this job, or that boyfriend, or when I make more money, then my life can start!”. I was living in the future and missing the good stuff that was right in front of me. When I learned that we actually never arrive, that life is a process, things became more interesting and I was able to show up for my art and the people in my life in a more genuine way. The joke, or taunt, is on the debutante characters who are future tripping and waiting for specific milestones, in this case their “debut”, in order to feel validated.

TR: What inspired the concept and how did this show come to be?

MJF: About a year and a half ago I saw The Glass Menagerie on Broadway starring Cherry Jones. I was particularly moved when Amanda put on her old debutante dress and entertained Laura and the gentleman caller. The image of Cherry Jones in the debutante dress performing heightened feminine gestures stuck with me as did themes in the play like time, aging, and memory. Shortly after seeing the performance, I went home to Texas for the holidays and experimented with some movement in my old debutante dress. My parents were concerned! The experiment turned into a short dance film called Lady in Waiting, and making that short allowed me to dig into the themes and choreography for Debutaunt.

We did our first run of the show last October at King’s County Bourbon Distillery and audiences seemed genuinely interested in the experience and the concept. This was really exciting to us, and when an opportunity came up to do the show again we decided to go for it with the goal of strengthening the narrative and deepening the characters.


The night quickly devolves into competitive chaos.
Vogue

TR: Even an offbeat show in Brooklyn is quite a feat to stage. Who did you work with to get this mounted?

MJF: I’ve been working with friends and producers, Bettina Barrow and Lydia Thew. Bettina has been a close friend since childhood and my writing partner for almost a decade. We have a book to film project coming soon that explores themes similar to those in Debutaunt. Lydia is a talented producer for CNBC and has a background in finance. The three of us have been raising funds since last July through our fiscal sponsors, The Field. Our venues, King’s County Distillery and Atelier Roquette, have been great to work with and helped us out, big time, by providing rehearsal space. I also got to workshop the idea and make many of the films at a dance on camera residency at Cucalorus Film Festival. We have also had performance and rehearsal support from SILO, Triskelion Arts, Lightbox, and Communities In Schools.

TR: You are directing and choreographing the show as well. Tell us about your work as a choreographer. Did you always dance?

I danced growing up and stopped in college when I was struggling with body image issues. Instead of pursuing dance, my first job out of college was an assistant gig in film. From there, I moved to Los Angeles and worked in production at studios like Paramount Vantage and Warner Bros. During that time, dance gradually made its way back into my life and I was eventually ready and able to make it a priority again. I began looking for choreography opportunities and taught at dance studios wherever they would let me. When I turned thirty, I took a major leap of faith, left my production job at Warner Bros., and started freelancing. I am now choreographing, directing, teaching, and blending dance and film whenever I can.

TR: How does dance function in the show? What type of dance is it?

MJF: Much of the movement was inspired by black and white cotillion photographs, contemporary dance, and Esther Williams-style synchronized swimming moves. Because the girls are wearing large white dresses, we rarely see their legs and a lot of emphasis is on the placement of the arms and the movement of the upper body and head. Structurally, dance serves as a transition between scenes in the show. It also functions as a means of expression and storytelling for our characters during their debutante ball and, ultimately, it unites the cast and audience at the end in a communal dance party.

TR: Since much of the show involves movement, how did you develop the characters and the script?

MJF: Some of the scenes were scripted in advance and some came from improvising in rehearsals. We have a really smart and curious cast who have been open to all kinds of improv, movement, and writing exercises. Regarding our characters, we have five personalities: the perfectionist princess, the competitive ice queen, the people pleaser, the rebel artist, and the fish out of water who does not want to participate. I’ve basically taken all of the traits that I think hold us back as humans and put them into these characters. For example, the perfectionist, Beatrice, is a control freak and is constantly telling everyone what to do and how to do it. Everything is measured and calculated and directed. Her movement style is precise and quick. Her bossiness is coming from a good place (“we need some order here!”) but she irritates the group and this keeps Beatrice separate from them. Eventually all of these wacky personalities have to learn to function harmoniously in order to stand up to the Mistress of Ceremonies, Martha McMillen.

Some of the performers have started Instagram accounts for their characters for fun. If you’d like to get to know them early check them out: @catherineelizabethjane, @cecefitx , and @melanieannewinslow.

TR: In the script, you described Martha McMillan as a “steel magnolia who leads with a contagious smile and an iron fist”. Tell me more about this character.

MJF: Much of the Martha character comes from the negative voices in my head (with some major polishing from producer/writer, Bettina Barrow). The negative voices say nothing is enough and that I always need to do more, try harder etc. The voice is insatiable, risk-averse, and narrow minded. Martha is tricky as she delivers some pretty cutting comments, but with a smile. She is hard on the debs because she wants to protect them from the harsh realities of the world. She has had a challenging life and is convinced that by being Mistress of Ceremonies at the deb ball, year after year, she is instilling some kind of hope and order. Martha pushes the girls a little too far in this run and eventually they revolt. Her movement style is precise and quick. Her bossiness is coming from a good place (“we need some order here!”) but she irritates the group and this keeps Beatrice separate from them. Eventually all of these wacky personalities have to learn to function harmoniously in order to stand up to the Mistress of Ceremonies, Martha McMillen.

Some of the performers have started Instagram accounts for their characters for fun. If you’d like to get to know them early check them out: @catherineelizabethjane, @cecefitx , and @melanieannewinslow.

TR: You have spoken very highly of your cast. Is there anyone in particular you want to give a shout out to?

MJF: All of them! I’m listing the cast here so readers who are still with me will look up these talented people: Melanie Comeau, Elizabeth Dunn, Rachel Guest, Brittany Posas, Cara Seymour, Cecily McCullough, Beck Hartke, Catherine Cobb Ryan, Julian Devine, Teddy Tedholm, Taner Van Kuren, Michael Spencer Phillips, and Donna Fish. Read more about them here.

TR: Who are some other artists that inspire you?

MJF: Pina Bausch, specifically the way she blended dance and theater and how her dancers embody human emotion so vividly. Mary Oliver for her poems The Journey and The Summer Day. I am also inspired by Wes Anderson and Christopher Guest and filmmakers who create very specific worlds for their actors to explore. Lena Dunham for her book, Not That Kind Of Girl. I re-read the “condom in the tree” passage whenever I need a laugh and dose of honesty. Kurt Vonnegut for Who Am I This Time? and other shorts. Bruce Weber whose photos are just fun – smoking, naked on a beach – it doesn’t matter. He makes me feel like we are all free to do whatever and that it is okay to take a nap in the middle of the day.

I also have some talented friends and peers whose work really inspires me like photographers Victoria Will and Amanda Jasnowski. Filmmaker, James Ponsoldt. Screenwriter, Natalie Krinsky. Also, choreographers like Shannon Gillen, Celia Rowlson Hall, Chihiro Shimizu, and Dana Katz. Stellar humans and creators!

TR: How do you want to see Debutaunt grow?

MJF: I would love for Debutaunt to find a more permanent home in a convenient location so more folks can see it. Creatively, I am interested in continuing to deepen the script, the choreography, and I would love the time and budget to dig into the film projection piece of the show. We are also looking to enhance our team and hope to bring on a producer who has experience in live and immersive theater for the next run

One heck of a party.
Emily Post meets Lord of the Flies
.

DUJOUR

TR: Do you think there is a place in today’s world for the traditions and culture of the debutante?

MJF: I’m not really sure to be honest. I recently went to some debutante presentations in Texas to research and was expecting to think, “This is elitist and weird and white and why did I participate in this when I was twenty-one? And this tradition should become extinct!”… however, I was surprised to find that I didn’t actually feel that heated about it or observe anything particularly noteworthy or offensive while I was there. The parties are certainly extravagant and some of them take place at country clubs so can be viewed as pretentious; however, I noticed that the girls were all very grateful to be there and respectful. The fathers were proud and doting and it seemed like a sweet exchange between fathers and daughters in that particular community.

I actually left with an appreciation for the warmth and friendliness of Texans and I was reminded of how nice manners can be really attractive! I know it would be way more exciting to give you some dirt, but I didn’t leave with much, other than feeling I had just observed a somewhat bizarre ritual that ended in a dance party.

TR: What’s next for you after the show?

MJF: After we open, I’ll be directing video content for some online magazines, choreographing a film project, and teaching dance and dance for camera at studios and universities. For now I’m doing my best to stay focused on the show and getting people to come and see it. I hope you will join us!

Debutaunt
June 11 – 28th – Fri-Sat- Sun
10 Shows only
Atelier Roquette
63 Commerce Street
Brooklyn, NY 11231
Tickets $ 35
DebutauntBall.com
800 838-3006

Wrestling deb photo: Mary John Frank

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