Y’s RTW Fall 2019

One of the key themes from the Black line was transparency, with signature gabardine coats flipped inside out to put their inner workings on display, the seams exposed, as well as reversible pieces, with a split-personality coat with beige linen on one side, black silk on the other.
A uniform storyline included coats mixing houndstooth with a monochrome Y’s tartan, lovely black blazers with cutouts of jewel-tone motifs lifted from Persian carpets used to evoke medals, and a series of pinstripe coats with the stripes bleached into the fabric, as well as bleached color-blocking effects.
The Pink line offered a capsule of textured knits, including a seamless cashmere sweater; feminized spins on men’s shirting fabrics, applying details like lace and ruffles to gingham and striped styles, as well as a capsule of sweatshirts playing on the band T-shirt graphics used for Prince and the Revolution’s Purple Rain Tour in the mid-Eighties.

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Y’s RTW Fall 2019

One of the key themes from the Black line was transparency, with signature gabardine coats flipped inside out to put their inner workings on display, the seams exposed, as well as reversible pieces, with a split-personality coat with beige linen on one side, black silk on the other.
A uniform storyline included coats mixing houndstooth with a monochrome Y’s tartan, lovely black blazers with cutouts of jewel-tone motifs lifted from Persian carpets used to evoke medals, and a series of pinstripe coats with the stripes bleached into the fabric, as well as bleached color-blocking effects.
The Pink line offered a capsule of textured knits, including a seamless cashmere sweater; feminized spins on men’s shirting fabrics, applying details like lace and ruffles to gingham and striped styles, as well as a capsule of sweatshirts playing on the band T-shirt graphics used for Prince and the Revolution’s Purple Rain Tour in the mid-Eighties.

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Y’s Resort 2019

Some highlights of Y’s Pink label included a coat, dresses and blouses made in Cord Leavers lace, which is generally used only in haute couture, plus tie-dyed sweatshirts and sweatpants, and prints with a botanical theme such as cacti.
Within the Black label line, new for the resort season, were viscose robes, dresses and coats with floral prints made using ink-jet printers, but giving a nod to the “yuzen” dying technique for kimonos dating from the late 17th century.
As is tradition, the Black collection is also full of Y’s bestsellers reworked in either new colors or fabrics, and a handful of gabardine looks that were garment-dyed.
The expansive line, with something old and something new, makes for a lively offer.

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Y’s Resort 2018

Highlights from the Pink label included bikers and reversible bombers lined with a splashy reinterpretation of a print from Japan’s Taishō Democracy period in the Twenties, which also played out on floaty dresses.
Among additions to the showroom was a full women’s capsule from the Exclusive line, part of the brand’s Black sub-line, focused on signature, mannish, plain suiting options with twists like dusty check prints and oversize spins on the shirtdress with bow ties.
Adding a dose of color was the scrunchy tie-and-dye stains splashed on T-shirts, shirts and Bermudas in polyester and crepe de chine. Summery options included twisted tanks and a white linen jacket with pleats at the back, while the brand’s Rismat casual subline also continues to gather momentum. Hits there included the super-relaxed, ample, hybrid cardigans and sweaters with tonal shirting sections in a range of lovely shades going from electric blue to dusty yellow.
More From Paris Haute Couture Week Fall 2017:
Christian Dior Couture Fall 2017: As the house of Dior turns 70, Maria Grazia Chiuri designed her fall couture collection an homage to the house founder.
Atelier Versace Couture Fall 2017: The collection blended Baroque references and rock ‘n’ roll — with a soupçon of 3-D printing.
Iris Van Herpen

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